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cdvr.org
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What a dirty-dealing world we live in.
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That rat—trying to double-cross us
before we double-cross him.
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Forget it. We'll hole up here
for a couple weeks until the heat cools.
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– Enough food and water in this joint
to last a million years.
– Yeah.
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[air-raid sirens]
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♪ We had warnings of
dark clouds forming ♪
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♪ Fear has brought me
to my knees ♪
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♪ Memories haunt me
Darkness wants me ♪
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♪ Someone wake me please
It's a dream ♪
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♪ Nightmare
(Like a child screaming) ♪
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♪ Nightmare
(They say he's only dreaming) ♪
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♪ Is under the bed?
It is all in his head? ♪
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♪ Nightmare ♪
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Phil!
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– What?
– I broke through.
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I broke through!
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[giggling and scurrying]
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What?
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Ah!
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[gasps and yelps of delight]
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[jovial whistling]
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Okay Phil!
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PHIL: Better be some hot water left, Marlowe.
MARLOWE: I did, I did. [jovial whistling]
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PHIL: Argh! Marlowe!
[clanging]
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PHIL: Oh—how does it look, huh?
MARLOWE: It looks great!
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PHIL: You sure you know what you're doing?
MARLOWE: Look, I read the barber book, okay?
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[big snip]
PHIL: Hey, Marlowe!
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♪ Swing on the rhythm, give into the jive
We're gonna boogie tonight ♪
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♪ Smooth operator in the fast lane
He likes to boogie, give him champagne ♪
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♪ Moonlight and bubbles and a fast dame ♪
[swing music echoes through tunnels]
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PHIL: My name's Phillip, and this is gonna be
a yarn about me and my pal, Marlowe.
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About the day we got out of this shelter
and went off into the post-nuclear world.
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Now, as excited as we were about leaving the shelter,
it was still a joint that held fond memories.
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I mean, it was the only world we'd ever known.
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Where I'd practise my magic,
Marlowe was dancing,
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and we both dreamed
of becoming private eyes,
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just like the ones we'd read about.
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So, how do I look, pops?
“Ah, you look swell, son.”
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“Yeah you're one tough dick.
Oh, you're one slick dick.”
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Well, gee, thanks pop!
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♪ You know we're goin' really smooth (smooth)
in the fast lane ♪
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♪ He can groove (groove)
with a fast dame ♪
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♪ And he's hot to-night
Much to my delight
I want this guy ♪
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Hey Phil! New dance step!
The Post-Nuke Shuff—
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Whoa-oh-oh! [clatter of scattering tins and bottles]
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– Hey, Marlowe.
– What?
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Here you go, dick.
It's empty, just like your head.
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Thanks pal! Anyways, I'm serious
about bein' the Dancin' Dick.
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It's what I always wanted to be,
just like our pops.
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Pops? We don't know
who our fathers were.
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Sure we do,
they was private eyes, Phil.
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Marlowe, how many times do I have to tell you,
the creeps that locked us in here were not our fathers.
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– You're wrong!
– Oh, you're cracked, Marlowe.
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– Oh yeah?
– Yeah!
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– Yeah?
– Yeah!
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– Well why do you think
they never came back to get us, huh?
– Because!
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Because what?
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Huh?
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Because—like we always say it,
they're dead.
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[chains rattle, breaking the silence]
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You just never wanted to face the truth, did you?
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What truth is that, Phil?
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Something queer happened
to one of us in this hole.
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RADIO: Lucky you, you're listening to
the Nicky Nuker show on K-NUKE!
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Hey Phil?
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What?
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I don't want us to ever change,
no matter what happens to us out there.
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What are you talkin' about?
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Well, no matter how famous
and rich I get,
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no matter how smart you get,
I just, uh,
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just want us to always be us.
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Okay?
[faint echoes of children laughing, playing]
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Yeah, sure Marlowe.
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[mechanical groaning; wailing guitars]
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Now!
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– I bet there's nothin' but
love-sick dolls out there, Phil!
– Love-sick dolls, yeah!
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Hey, think the world's changed much?
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Changed?
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Nah!
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♪ We run against a sky of black and red ♪
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♪ Premonitions of tomorrow
Is there a future there for me ♪
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♪ It's been a long, lonely wait ♪
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♪ Now I can see your face
in everything I say and do today,
in my life (radioactive) ♪
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♪ I need a place
to lie my head (radioactive) ♪
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♪ I close my eyes,
but there's no rest (radioactive dreams) ♪
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♪ Get me out of this wasteland
of radioactive dreams ♪
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Gadzooks! Ha-ha! Real-life babe!
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Whoa! Mutants! Real-life mutants!
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No, Marlowe, wait—
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The keys—where are they—
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– I'm lookin' dude!
– My keys!
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Come on Marlowe,
get away from them—come on—
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Stop! Stop!
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PHIL: That was our introduction
to the post-nuke world:
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mutant rutabagas and a dame
with a wicked left cross.
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By the time I came to, Marlowe'd already agreed
to help the peach get to the nearest payphone.
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Let's go!
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Why sure! This kinda thing's
right up my alley, ma'am.
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You know what I mean?
I'm a dick!
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Huh. So you're a porno stud, huh?
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Uh, well, not exactly.
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– I'm a private eye, ma'am.
– Yeah, sure.
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Uh uh uh, whoa-oh-oh,
let me, let me, let me—
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Hop on in. Hop in!
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Watch your toes!
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– Hey—gimme the keys.
– What?
– Gimme the keys!
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– No way Marlowe, whatdya—
– Gimme the keys!
– Why?
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– You've been drivin' all morning!
– So what, it's my pop's car—
– Oh so now he's your pops—
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Hey—hey, listen, listen,
can we go now please?
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Yeah can we go now please, Marlowe?
Just get in the back seat.
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– Just get in!
– Okay…
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So, ma'am, you need a couple a' dicks, huh?
Well how much cash you carrying, huh?
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My name is Miles. Miles Archer.
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– Yeah. I'm Phillip.
– Marlowe!
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I think we lost 'em, Miss Archer.
Who were those guys?
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RADIO: …through the old annexed missile bays!
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RADIO: Criminals are combing the area now
for Miles Archer—
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So, um, Miss Archer…
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What's a nice girl like you
doin' in a place like this?
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I mean, do you have a job
round here or something?
[MILES' harsh laughter]
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– What?
– You've gotta be kidding…
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– What?
– Where do you think you are?
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Yeah, will you stop asking dumb questions, Phil?
Where do you think we are?
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Ma'am? Ma'am?
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Don't touch me. Understand?
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Sure.
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– Uh, Miles—
– What?
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– Ah, just remember, no matter
what kinda trouble you're in—
– Yeah?
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—well, I'd be glad
to help you any way I can.
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Why, thank you, Marlowe.
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[MARLOWE's muffled, delighted yelps
mingle with car-seat leather squeaks]
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[MARLOWE gulps]
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Marlowe.
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You really are a mondo nerd.
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Zim bim zowie!
What a smackeroo! Whoo-hoo!
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Big deal. Wasn't much.
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Yeah, I got the keys,
and then everything went to shit.
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Peach kept tryin' to
ride her tongue into my mouth.
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Oh yeah, sure, Marlowe.
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PHONE: The car is on the way.
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Oh shit. Ah, okay.
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Hey. Hey—think she'll marry me, Phil?
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Marlowe, am I gonna hafta
listen to this all day, huh?
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Alright? I mean, we can't afford
to be no-one's dick for free…
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PHIL: Miles Archer had seen somethin' comin'.
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Somethin' that'd been chasin' her.
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She took a powder, leavin' us sittin'
like a couple knuckle-brained ducks.
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We was the decoys coverin' her escape.
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Now, Miles Archer's plan would've been perfect
if she hadn't dropped her keys in Marlowe's lap.
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By the time she realised
her mistake, it would be too late.
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It was a slip-up Miles Archer
would regret for the rest of her life.
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She called me her mondo nerd.
[PHIL scoffs]
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So, what does that mean?
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I dunno. Must mean some, uh,
swell, post-nuke compliment.
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Ma'am?
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Ma'am?
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Ma'am?!
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[gunshots crack glass]
Aagh! Phil!
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Why do them scooter rutabagas
wanna get on our knuckles?
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I dunno, but I'm not gonna sit around
tryin' to get some answers now.
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[yelps and gunshots]
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– Hit the bricks! What about the peach?
– What about her, she took a powder!
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– Yeah, but—
— There's nothin', we're goin'.
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Come on! Let's get 'em!
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Why're they after us, Phil?!
They must figure we're someone else!
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I don't know—
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– Go! Fast!
– I'm goin'!
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Now see, get closer!
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Marlowe: Phil—the trailer's on fire!
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Well, don't just sit there, Marlowe,
go back and put it out!
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– How?!
– Get going!
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[bikers whoop, snarl, and scream]
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[MARLOWE shrieking and yelping]
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♪ All talk, no action
You don't give me no satisfaction ♪
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Hi.
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♪ All talk, you tease me
Lead me on and never try to please me ♪
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Oh no!
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Get off a' me!
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♪ Makes me want you so much
They'd say, “Look, but don't touch” [echoing] ♪
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LET GO OF ME!
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Gimme back my hair!
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Unhook it!
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Whoo-wee!
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That sure was close, eh Phil?
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– Well, you told me to put the fire out.
– Yeah, but not with our trailer, you knucklehead.
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– Oh razz razz razz—
– Yeah razz.
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– It ain't the end of the world!
– Oh it ain't? It ain't?
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00:17:08,345 --> 00:17:10,595
– No!
– Just the end of our gas supply?
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But hey, what does that matter, right?
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Marlowe…
[PHIL and MARLOWE grumble]
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Hey…
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– Toss an eye on this.
– What? What is it?
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I dunno. The peach must've dropped it.
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Blockbusters. Blockbusters!
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00:17:25,625 --> 00:17:28,115
Hey! I bet you Miles is
gonna need her keys, Phil!
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We better get 'em back to her, huh?
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Ha-hah! Now we can show her
what slick dicks we are by finding her.
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00:17:35,354 --> 00:17:37,501
– Hey, Miles' name ain't on the key case.
– Huh?
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Dash Hammer…
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Dash Hammer?
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It belongs to our pops, Phil!
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Maybe he's alive.
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Do you really think so?
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I mean, maybe my pop's alive too.
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Wouldn't that be swell?
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And we can show 'em what swell
dicks we are by finding 'em.
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Whoo-wee! Oh, I can't wait
to see their faces.
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00:18:06,759 --> 00:18:08,015
What's wrong, Phil?
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00:18:08,471 --> 00:18:10,368
I mean, aren't you glad
about our pops bein' alive?
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Just stop callin' them
our pops, please, Marlowe?
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They locked us up in that bomb shelter
'cause they never intended us ever getting out, ever.
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How do you think they'll react
when we come strollin' up to them, huh?
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– We don't know for sure—
– Oh, we don't?
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We always figured they was dead because
they never came back to get us, right?
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Now we know, it just ain't so.
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Ah, eh, everything'll work out.
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What's that saying in the detective pulps?
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They crossed the line.
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They double-crossed us.
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That's the unforgivable sin, right?
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[pensive music]
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Hey, Marlowe, look.
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00:19:22,940 --> 00:19:24,679
Hey—what's that?
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00:19:24,814 --> 00:19:25,875
I dunno.
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Okay, just play it cool, alright?
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00:19:28,560 --> 00:19:30,584
– What is it?
– Just take it easy, Marlowe.
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– Wow—
– Let me handle this, okay.
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He looks like a slick dick.
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00:19:38,739 --> 00:19:40,591
Thanks for stopping, mister.
231
00:19:40,779 --> 00:19:42,387
Yeah. What's up, squirt?
232
00:19:43,134 --> 00:19:46,183
Me and my daddy ran out of gas.
Sir.
233
00:19:46,770 --> 00:19:50,105
That so. Where's your pop?
234
00:19:50,994 --> 00:19:52,737
He's waiting inside the bus.
235
00:19:53,423 --> 00:19:55,437
He's missing his legs
'cause of the war.
236
00:19:55,480 --> 00:19:56,809
[woman screaming]
237
00:19:56,851 --> 00:20:00,267
You fuckin' bitch you ever slap me
in the face again you're a wasted piece of shit.
238
00:20:00,438 --> 00:20:06,121
Out of the vehicle fuckfaces or I fuckin' blow
your fuckin' brains all over the fuckin' car. Move!
239
00:20:06,779 --> 00:20:09,164
[gunshot—and oil trickles
from the bullet hole]
240
00:20:09,813 --> 00:20:13,395
Okay. Just take it easy—
take it easy, punk.
241
00:20:13,973 --> 00:20:15,661
– Move!
– Okay!
242
00:20:16,176 --> 00:20:17,474
Agh—agh!
243
00:20:18,318 --> 00:20:21,151
You fuckin' idiot, Chester,
kill the fuckin' bitch!
244
00:20:21,194 --> 00:20:23,236
Ah, fuck you, Harold, don't ever
call me a fuckin' idiot!
245
00:20:23,608 --> 00:20:24,834
Hey—move!
246
00:20:24,896 --> 00:20:26,193
– Come on—
– Hey!
247
00:20:26,704 --> 00:20:28,020
Why you—fuckin'—
248
00:20:29,208 --> 00:20:30,601
– Ha!
– Get over there.
249
00:20:33,983 --> 00:20:37,417
You bullies—we're gonna
get you for this.
250
00:20:37,646 --> 00:20:38,939
– Move it, punk.
– Go!
251
00:20:39,234 --> 00:20:42,678
What are we gonna do, Chester,
[drowned out by PHIL and MARLOWE yelling]
252
00:20:43,079 --> 00:20:46,065
PHIL: That was our first
encounter with disco mutants.
253
00:20:46,685 --> 00:20:48,517
I was sure it wouldn't be our last.
254
00:20:48,612 --> 00:20:49,599
– Move it!
– Go!
255
00:20:55,185 --> 00:20:59,263
Well! Hello sweetheart!
256
00:21:04,754 --> 00:21:06,189
Let me get you loose, here.
257
00:21:07,434 --> 00:21:10,740
Go ahead and try
to rip me, man. Just try!
258
00:21:14,885 --> 00:21:19,307
Don't get your kisser in an uproar, ma'am.
Just wanna get you loose. Just wanna—
259
00:21:21,453 --> 00:21:22,417
Ma'am.
260
00:21:24,582 --> 00:21:27,497
Ma'am, just let me get you loose.
261
00:21:28,842 --> 00:21:31,695
What's your name? Huh?
262
00:21:35,005 --> 00:21:35,806
Mars.
263
00:21:40,004 --> 00:21:41,010
Rusty Mars.
264
00:21:43,090 --> 00:21:45,036
Just exactly what was
goin' on here, anyway?
265
00:21:46,181 --> 00:21:47,927
Phil! Touch an eye!
266
00:21:49,124 --> 00:21:50,622
C'mon, jeez.
267
00:21:54,967 --> 00:21:57,004
[car clicks and stutters
and fails to start]
268
00:21:58,984 --> 00:22:01,131
– Oh—get outta here—
– What, it ain't my fault—
269
00:22:01,173 --> 00:22:04,508
– It wasn't your fault if you hadn't
blown up our gas supply—
– Don't start on me again—
270
00:22:04,550 --> 00:22:07,341
Come on you guys!
Let's take foot truck to Edge City.
271
00:22:09,873 --> 00:22:11,414
– Foot truck?
– Yes.
272
00:22:15,321 --> 00:22:18,450
So, Miss Mars, uh, you were
sayin' you knew Miles?
273
00:22:19,757 --> 00:22:21,879
Yeah, I know her.
She's a New Wave Punk,
274
00:22:22,743 --> 00:22:25,161
and the rap is, she's into
a heavy power trip.
275
00:22:26,063 --> 00:22:27,804
I'd stay away from her
if I was you.
276
00:22:28,133 --> 00:22:31,000
What about you cats?
What's your head trip?
277
00:22:31,233 --> 00:22:33,848
We're private eyes, Rusty.
Couple a' big-time dicks!
278
00:22:33,890 --> 00:22:35,847
– You're sure a big dick, alright.
– Thanks!
279
00:22:35,889 --> 00:22:39,318
Oh, I wish you'd just quit it.
Just quit it, alright?!
280
00:22:39,877 --> 00:22:40,706
Quit what?!
281
00:22:43,735 --> 00:22:48,057
Be a little more professional, huh?
Sure “Marlowe” wouldn't act this way.
282
00:22:45,782 --> 00:22:47,547
What's got him so bothered?
283
00:22:48,348 --> 00:22:49,750
Ah, I don't know.
284
00:22:49,936 --> 00:22:52,474
You and Phil go on ahead—
I'll catch up.
285
00:22:54,768 --> 00:22:55,589
Hey Phil.
286
00:22:56,381 --> 00:22:57,979
You wanna take a walk, man?
287
00:23:02,348 --> 00:23:03,521
Oh, shit.
288
00:23:06,464 --> 00:23:08,864
Look, Rusty, I'm…
I'm sorry, okay?
289
00:23:11,067 --> 00:23:13,293
Like, my past, you know?
290
00:23:16,367 --> 00:23:17,001
Agh…
291
00:23:19,396 --> 00:23:21,266
– That's where I used to live.
– Really?
292
00:23:22,181 --> 00:23:22,735
Who's that?
293
00:23:24,724 --> 00:23:25,525
My mom.
294
00:23:28,840 --> 00:23:30,076
Like, you've got any pictures?
295
00:23:31,044 --> 00:23:31,750
Nah.
296
00:23:33,782 --> 00:23:35,771
Sure you do. Where's your wallet?
297
00:23:36,620 --> 00:23:39,883
– Come on—
– No, you come on, man,
let me look at your pictures—
298
00:23:45,874 --> 00:23:47,190
Let's just skip it, okay?
299
00:23:51,092 --> 00:23:52,032
Yeah, sure.
300
00:23:54,355 --> 00:23:56,735
Come on, you guys, pick it up,
it's getting dark out.
301
00:23:57,346 --> 00:23:58,700
Well why can't you be out at night?
302
00:23:58,905 --> 00:24:02,351
Because, man, the radiation
made some pretty freaky lookin' creatures
303
00:24:02,393 --> 00:24:04,439
that like to roam around at night.
304
00:24:04,954 --> 00:24:09,151
– Creatures—what creatures?
– Come on. Oh, Marlowe…
305
00:24:09,194 --> 00:24:10,835
PHIL: We finally made it to Edge City.
306
00:24:12,266 --> 00:24:14,107
This is where my yarn turns grim.
307
00:24:15,467 --> 00:24:18,396
Rusty warned me that the city
was mean and evil.
308
00:24:18,639 --> 00:24:22,431
That it had a tendency to
make good folks bad, or dead.
309
00:24:23,940 --> 00:24:26,254
I was about to find out
that bein' private eyes,
310
00:24:26,296 --> 00:24:28,545
or finding the guys who
ditched us in the shelter
311
00:24:28,587 --> 00:24:30,240
was just not that important.
312
00:24:31,064 --> 00:24:33,064
What was really at stake
was me and Marlowe.
313
00:24:34,124 --> 00:24:36,405
About the type of guys we'd be
when this was all over.
314
00:24:36,501 --> 00:24:37,114
Rusty!
315
00:24:38,455 --> 00:24:40,355
You really think you can
help us find our pops?
316
00:24:41,691 --> 00:24:43,510
– You mean Hammer and Chandler?
– Yeah.
317
00:24:45,163 --> 00:24:47,394
Yeah, man, I can help you find 'em.
318
00:24:49,077 --> 00:24:51,243
Come on, you Turks, we gotta truck.
319
00:24:51,725 --> 00:24:54,087
It's not safe to be
outside the city at night, man.
320
00:24:54,385 --> 00:24:56,460
At night?
What about the day?
321
00:24:56,503 --> 00:24:58,969
♪ Phil's got keys in his pocket
and he's ready to roll ♪
322
00:24:59,011 --> 00:25:01,416
♪ He's got the whole Edge rockin'
and he's losin' control ♪
323
00:25:01,458 --> 00:25:04,033
♪ He's got his finger on the trigger
and he's ready to fire ♪
324
00:25:04,075 --> 00:25:06,690
♪ He's got a feelin' that he's
walkin' on a high wire ♪
325
00:25:06,733 --> 00:25:10,080
♪ He's tickin' like a bomb
that's ready to blow [fading] ♪
326
00:25:13,305 --> 00:25:16,616
Hey, look what the rat dragged in.
327
00:25:20,335 --> 00:25:23,636
You must be gettin' real hard up, Rusty.
328
00:25:34,398 --> 00:25:38,041
Phil! Are you okay?
Are you okay?
329
00:25:38,775 --> 00:25:40,553
You're so funny, honey.
330
00:25:44,618 --> 00:25:46,351
You better watch your karma, Brick.
331
00:25:47,271 --> 00:25:48,899
I'm gonna have to come rip your ass.
332
00:25:49,105 --> 00:25:51,386
– Yeah?
– Yeah.
333
00:25:52,110 --> 00:25:56,551
You try that and I'll have to pound your butt—
just like I used to.
334
00:25:57,657 --> 00:26:00,928
Hey—you can't talk to her
that way. No—
335
00:26:02,219 --> 00:26:03,711
You wanna make something of it, dick?
336
00:26:03,731 --> 00:26:04,872
I wouldn't.
337
00:26:07,811 --> 00:26:10,328
– Nobody move.
– Back off.
338
00:26:11,253 --> 00:26:14,288
Cool it, Rusty. Cool it.
339
00:26:14,810 --> 00:26:16,383
I mean, we're old friends, right?
340
00:26:18,081 --> 00:26:20,548
Yeah. Old friends.
341
00:26:22,965 --> 00:26:23,794
Later.
342
00:26:25,929 --> 00:26:27,075
Alligator.
343
00:26:30,642 --> 00:26:32,522
VOICE: Yo Brick. Phone call.
344
00:26:37,652 --> 00:26:38,390
Who is it?
345
00:26:38,812 --> 00:26:39,953
VOICE: Miles Archer.
346
00:26:40,280 --> 00:26:41,678
Miles Archer, huh?
347
00:26:46,907 --> 00:26:49,841
Don't let those cats get to you, Phil.
Just a little unfriendly.
348
00:26:50,027 --> 00:26:52,801
– Yeah, I'll say.
– Yeah, well who were those creeps, anyway?
349
00:26:53,142 --> 00:26:53,906
Greasers.
350
00:26:56,066 --> 00:26:58,755
Come on man, I'll show you my scene.
351
00:27:01,111 --> 00:27:05,010
[low drones, tinkling bells, and wind-chimes]
352
00:27:13,267 --> 00:27:18,634
[bouncy rock music bursts through the ambience]
353
00:27:24,278 --> 00:27:29,940
♪ A burst of flying air
And seconds later, you were not there ♪
354
00:27:29,982 --> 00:27:35,534
♪ It's not so strange
And if we stick together, we'll stay sane ♪
355
00:27:41,162 --> 00:27:46,568
♪ Hoping all is well
It's lonely, cold, and maybe this is hell ♪
356
00:27:46,610 --> 00:27:51,990
♪ Or is it just a dream?
A hallucination coming over me? ♪
357
00:27:53,536 --> 00:27:57,552
♪ I feel it stronger now
it's reaching far out [fading into crowd] ♪
358
00:27:58,277 --> 00:28:01,244
PHIL: The Red Onion turned out to be
a pretty swanky gin mill.
359
00:28:02,274 --> 00:28:06,825
Doorman seemed a bit edgy,
but Rusty got us in.
360
00:28:07,722 --> 00:28:09,992
She seemed to have some
pull around here, or something.
361
00:28:11,194 --> 00:28:14,228
Zowieee! Whoo-hoo!
Look at all this! Look at this!
362
00:28:15,105 --> 00:28:16,504
– WOMAN: Fuck off.
– Oh my God, Phil!
363
00:28:16,546 --> 00:28:19,093
VOICE: Hey Rusty, Sternwood wants to see you.
364
00:28:19,398 --> 00:28:20,467
RUSTY: Alright.
365
00:28:24,769 --> 00:28:27,240
Why don't you wait here.
I'll be back in a second.
366
00:28:30,303 --> 00:28:32,058
VOICE UPSTAIRS: WHERE ARE THE KEYS?!
367
00:28:32,182 --> 00:28:36,208
– Hey—Marlowe.
– Huh? What?
368
00:28:36,761 --> 00:28:40,329
– Phil, what? Aah?
– Whatdya think's going on up there?
369
00:28:40,682 --> 00:28:42,867
– Where?
– Huh?
– Yeah, sure.
370
00:28:50,279 --> 00:28:51,691
Nice joint!
371
00:28:53,065 --> 00:28:54,577
Fuck off, nerd!
372
00:28:55,250 --> 00:28:56,810
Yeah, sure!
373
00:28:56,852 --> 00:29:00,325
– Uh, label's Marlowe, I'm a dick—
– No shit!
374
00:29:02,071 --> 00:29:05,400
– Fuck you!
– Yeah! See you round!
375
00:29:06,077 --> 00:29:07,127
Funny dogs!
376
00:29:07,432 --> 00:29:09,149
How you doin'! Ha ha!
377
00:29:12,450 --> 00:29:15,579
Marlowe, folks seem sorta
stuck up around here, don't they?
378
00:29:16,285 --> 00:29:20,197
Nah—nah, just, just gotta be
a little more friendly.
379
00:29:22,629 --> 00:29:26,407
Watch. I'll have 'em swoonin', and moonin'.
380
00:29:28,248 --> 00:29:29,880
Gangway!
381
00:29:36,090 --> 00:29:37,865
I could keep dancin' all night!
382
00:29:46,460 --> 00:29:47,395
Hey doll!
383
00:29:50,047 --> 00:29:51,287
[slap! cuts the music]
384
00:29:53,911 --> 00:29:55,475
Swoonin' and moonin', huh?
385
00:30:04,195 --> 00:30:05,664
Hey. Hi.
386
00:30:14,746 --> 00:30:16,625
See! I told you!
387
00:30:17,255 --> 00:30:20,113
– Delayed reaction is all. Ha-ha!
– Yeah, no kidding.
388
00:30:20,155 --> 00:30:22,922
– Can I be your chick, man?
– Yeah, sure!
389
00:30:23,275 --> 00:30:28,092
– Hey, chick, dog, cow, pig, whatever, ha-ha!
– Far out…
390
00:30:31,613 --> 00:30:34,847
– This dick's fresh meat.
– Yeah, I'm a big dick!
391
00:30:35,114 --> 00:30:37,537
– Hey, Marlowe.
– Whaaat?
392
00:30:37,785 --> 00:30:38,586
Watch your step.
393
00:30:40,437 --> 00:30:42,679
Yeah, sure, come on, man.
394
00:30:43,766 --> 00:30:49,958
[loud kissing]
♪ Gonna eat you, eat you alive (×2) ♪
395
00:30:51,112 --> 00:30:53,297
[incomprehensible 1940s speak]
396
00:30:54,604 --> 00:30:57,151
– Like, your friend is freaky, you know?
– Yeah.
397
00:30:58,429 --> 00:31:02,188
Man, it must've been pretty trippy
being shacked up with him all those years.
398
00:31:02,827 --> 00:31:05,117
Nah. Wasn't that bad.
399
00:31:07,645 --> 00:31:10,555
So whatdya think of this place?
Pretty wild, huh?
400
00:31:11,728 --> 00:31:14,256
– Yeah.
– VOICE UPSTAIRS: You wanna fuck with me?
– In fact.
401
00:31:15,325 --> 00:31:17,109
But your people don't seem to be too friendly.
402
00:31:18,215 --> 00:31:21,840
It's nothing, man.
Just 'cause you're new, you know.
403
00:31:22,518 --> 00:31:25,122
They'll get used to you. Like I did.
404
00:31:29,997 --> 00:31:31,314
You like?
405
00:31:32,335 --> 00:31:37,743
Yeah. Nice.
[PHIL chokes a sigh]
406
00:31:39,804 --> 00:31:40,682
But what?
407
00:31:43,343 --> 00:31:45,604
Doesn't anyone ever wear dresses around here?
408
00:31:46,606 --> 00:31:47,980
Well, maybe some day.
409
00:31:51,471 --> 00:31:54,658
Come on man. I got this groovy pad out back.
410
00:31:55,240 --> 00:31:57,157
Let's blow this scene and make our own.
411
00:31:57,510 --> 00:32:06,035
♪ You're comin' with me and you'll never survive
Gonna eat you, eat you alive (×2) ♪
412
00:32:06,077 --> 00:32:10,561
♪ You're gonna love it, but you're gonna die
Gonna eat you— ♪
413
00:32:12,593 --> 00:32:13,728
Dresses.
414
00:32:15,941 --> 00:32:16,829
You like?
415
00:32:17,477 --> 00:32:18,355
Yeah.
416
00:32:21,799 --> 00:32:23,402
Maybe I'll put it on for you later.
417
00:32:25,481 --> 00:32:27,761
Right now I don't feel like
putting anything on, you dig?
418
00:32:28,076 --> 00:32:39,162
[ethereal organ music]
419
00:32:40,507 --> 00:32:44,342
Oh… what is it about these keys, huh Rusty?
420
00:32:45,305 --> 00:32:49,589
– I mean, seems like half the world's
gone crazy over them or something—
– Phil?
421
00:32:50,924 --> 00:32:52,479
– What?
– Shut up.
422
00:32:53,805 --> 00:32:59,816
– What, am I—am I yappin' too much?
– Yes. Shhh.
423
00:33:06,751 --> 00:33:09,918
– Don't be nervous.
– I'm not nervous [voice quakes].
424
00:33:10,968 --> 00:33:13,267
– You don't have to be.
– What're you doin', Rusty?
425
00:33:13,372 --> 00:33:15,309
I'm gonna take your clothes off now.
426
00:33:17,369 --> 00:33:19,039
You gonna take your clothes off?
427
00:33:21,567 --> 00:33:22,864
Yes.
428
00:33:31,746 --> 00:33:33,749
RUSTY: Come on.
429
00:33:34,398 --> 00:33:37,317
Gosh Rusty, guess I am kinda nervous.
430
00:33:38,510 --> 00:33:40,284
There's no reason to be nervous, Phil.
431
00:33:46,037 --> 00:33:49,586
– It's okay.
– Yeah.
432
00:33:54,289 --> 00:33:57,275
– What're you doin'—
– I'm gonna take your pants off now.
What—
433
00:33:58,072 --> 00:34:02,934
[zipper unzips; PHIL delicately gasps]
434
00:34:08,055 --> 00:34:12,958
– Jeepers, Rusty. Don't you wanna
kiss me first or somethin'?
– Uh-uh.
435
00:34:13,378 --> 00:34:24,750
[gentle organ music, like starlight]
436
00:34:31,361 --> 00:34:36,131
– Just relax a little. It's okay.
– Okay.
– Okay.
437
00:34:39,537 --> 00:34:41,435
Oh, Phil…
438
00:34:44,164 --> 00:34:46,335
What? What?
439
00:34:46,377 --> 00:34:47,522
Just lie back.
440
00:34:47,846 --> 00:34:52,622
[organ music slips away to sinister drones and piano]
441
00:34:52,664 --> 00:34:55,755
– What're you doin', Rusty?
– It's okay, Phil.
442
00:34:57,300 --> 00:35:01,675
Jeepers, I'm not that swift with
this kinda romancin', Rusty.
443
00:35:01,717 --> 00:35:04,341
– Just relax.
– I trust ya…
444
00:35:06,506 --> 00:35:08,840
Phil there's something I gotta tell you. Before Stern—
445
00:35:08,882 --> 00:35:10,599
VOICE: Before what, Rusty?
446
00:35:13,318 --> 00:35:17,382
– Hi babe. Good work.
PHIL: Hey look, hey, we weren't doin' nothin'—
447
00:35:18,746 --> 00:35:20,042
PHIL: Hey mister?
448
00:35:21,264 --> 00:35:23,754
Hey, listen. Listen mister, this—
449
00:35:24,355 --> 00:35:27,252
this ain't what it seems,
my intentions were absolutely honourable, I—
450
00:35:27,294 --> 00:35:28,687
Shut up, Porky.
451
00:35:29,993 --> 00:35:32,073
– Label's Phillip, sir.
– Hey.
452
00:35:33,552 --> 00:35:34,884
Don't you hear me rappin', man?
453
00:35:34,926 --> 00:35:38,226
RUSTY: Take it easy, Sternwood.
454
00:35:39,180 --> 00:35:42,395
Watch it babe, or I'll think
you gone pig on us.
455
00:35:42,844 --> 00:35:47,871
Hey, check out the rags for the keys.
[chuckle]
456
00:35:49,846 --> 00:35:52,925
Not you too, Rusty.
I thought I could trust you.
457
00:35:54,101 --> 00:35:59,148
STERNWOOD: Ooo, nice meat, huh. Very nice.
458
00:35:59,854 --> 00:36:02,868
– Cut it out, mister.
– Yeah. Ooh, yeah.
459
00:36:03,059 --> 00:36:05,835
We're gonna like this, yeah.
460
00:36:08,754 --> 00:36:11,011
PHIL: What's he doin', Rusty. Rusty—
461
00:36:11,053 --> 00:36:15,785
[screaming]
462
00:36:17,096 --> 00:36:18,609
No rad-contamination.
463
00:36:19,773 --> 00:36:22,921
His meat will score
the big bread at the market.
464
00:36:23,522 --> 00:36:24,301
Market—what market—
465
00:36:24,343 --> 00:36:27,372
Hey man, you spotted
all the meat in this city. Huh?
466
00:36:27,414 --> 00:36:30,664
Yeah, there's no animals alive any more.
467
00:36:30,706 --> 00:36:32,824
OINK OINK OINK OINK OINK!
468
00:36:33,177 --> 00:36:34,360
A-animals?
469
00:36:36,134 --> 00:36:37,441
Where'd you get all the meat?
470
00:36:38,643 --> 00:36:45,040
[breaking into laughter] That's right.
That's right! [sing-song] That's riiight!
471
00:36:45,082 --> 00:36:49,156
We're all cannibals. Cannibals. Cannibals!
472
00:36:49,337 --> 00:36:51,112
You kill me, Porky.
473
00:36:52,466 --> 00:36:55,824
– Rusty?
– [mocking] Rusty? Rusty?
474
00:36:56,196 --> 00:36:58,887
– Rusty?
– [mocking] Rusty? Rusty?
475
00:37:00,671 --> 00:37:01,672
[mocking] Rusty?!
476
00:37:03,275 --> 00:37:04,906
No keys, man.
477
00:37:06,853 --> 00:37:10,306
Oh, wow. Like, the keys aren't in the rags.
478
00:37:13,979 --> 00:37:16,980
Like, uh, where are they, Porky?
479
00:37:17,022 --> 00:37:18,516
First, tell me what they're for.
480
00:37:18,558 --> 00:37:21,764
– So he can blow up the world—
– Where are the keys, Porky?
481
00:37:23,605 --> 00:37:24,645
Altoona.
482
00:37:25,198 --> 00:37:26,724
Okay, smartass…
483
00:37:27,201 --> 00:37:30,245
YOU WANNA FUCK WITH ME? HUH?
484
00:37:31,351 --> 00:37:35,644
Groovy! Let's, like, uh,
try some heavy shit.
485
00:37:36,064 --> 00:37:38,173
On your friend.
486
00:37:40,052 --> 00:37:41,158
Marlowe.
487
00:37:42,589 --> 00:37:45,403
– What'd you do to him?
STERNWOOD: [chuckling] That kid's gettin' tenderised.
488
00:37:46,014 --> 00:37:51,089
– Wait—don't—stop—
– No, hey, hey, hey hey hey,
don't, don't weird out on me man.
489
00:37:52,034 --> 00:37:55,010
Just rap where the keys are,
490
00:37:56,107 --> 00:38:00,181
and I won't have to make burger patties
out of your friend.
491
00:38:00,667 --> 00:38:06,630
[PHIL sobbing, gurgling, sputtering]
492
00:38:06,945 --> 00:38:08,280
TELL HIM!
493
00:38:09,406 --> 00:38:10,560
Fuck this shit!
494
00:38:11,533 --> 00:38:13,184
Tell him where the keys are, Phil.
495
00:38:14,233 --> 00:38:17,173
And I promise you and Marlowe
will go free—I promise!
496
00:38:18,021 --> 00:38:18,898
Right?
497
00:38:19,404 --> 00:38:20,644
Uhhh…
498
00:38:21,197 --> 00:38:24,241
Yeah? Sure.
[PHIL gurgles]
499
00:38:24,727 --> 00:38:29,659
Uh, scout's honour.
[STERNWOOD chuckles; PHIL gasps]
500
00:38:29,841 --> 00:38:31,831
Just let me and Marlowe go, oh God—
501
00:38:31,873 --> 00:38:33,090
– Okay.
– —please—
502
00:38:33,132 --> 00:38:35,307
Like, I'll play along, Porky.
503
00:38:36,776 --> 00:38:40,048
But you fuck with us—[menacing breathing]
504
00:38:45,038 --> 00:38:45,954
Okay.
505
00:38:53,824 --> 00:38:55,245
Sorry about the keys.
506
00:39:02,944 --> 00:39:05,281
Okay, Porky. Where are they.
507
00:39:10,528 --> 00:39:13,457
[STERNWOOD growls like an angry dog]
508
00:39:21,461 --> 00:39:24,686
[STERNWOOD growls like a confused, but angry dog]
509
00:39:25,573 --> 00:39:26,451
[keys jangle]
510
00:39:28,883 --> 00:39:30,057
They were there the whole time.
511
00:39:33,052 --> 00:39:34,035
They were.
512
00:39:36,611 --> 00:39:38,147
Give 'em to me.
513
00:39:39,148 --> 00:39:40,425
Here!
514
00:39:44,624 --> 00:39:46,036
[gasping, grunting, and gunshots]
515
00:39:49,390 --> 00:39:54,223
[clattering and yelping;
hooting and hollering]
516
00:40:02,493 --> 00:40:07,005
[punchy beat starts up]
517
00:40:08,369 --> 00:40:09,962
Marlowe? Agh!
518
00:40:10,716 --> 00:40:13,864
– Marlowe?!
– PHIL! Phil!
519
00:40:14,437 --> 00:40:18,812
This lady and I been ballin' it.
We're havin' fun—wait,
I'm gonna introduce her. Sadie—
520
00:40:18,854 --> 00:40:19,970
[gun hammer clicks]
Freeze, Turk!
521
00:40:21,134 --> 00:40:22,049
Hand over the keys!
522
00:40:24,043 --> 00:40:26,272
Come on man, come on, let's blow,
let's go, let's get outta here, man.
523
00:40:26,314 --> 00:40:27,936
We're one step ahead
of the rest of the freaks.
524
00:40:28,212 --> 00:40:29,433
Who are ya?
525
00:40:29,824 --> 00:40:32,969
[sing-song] I'm your buddy, man!
Come on, let's go, let's go!
526
00:40:33,011 --> 00:40:37,319
– He's my buddy, Phil! My buddy!
– Yeah I'm your fuckin' buddy, let's go!
527
00:40:37,361 --> 00:40:39,637
– My buddy!
PHIL: No, Marlowe!
528
00:40:39,679 --> 00:40:41,721
– My buddy, Phil!
BRICK: Come on!
529
00:40:42,226 --> 00:40:44,983
– Safe!
PHIL: Marlowe, no!
530
00:40:58,683 --> 00:41:02,203
Let's take five, catch our breath.
531
00:41:03,205 --> 00:41:04,836
The next sprint's gonna be tough.
532
00:41:05,790 --> 00:41:08,667
We gotta make it through the ashtray district
before we'll be on safe turf.
533
00:41:08,709 --> 00:41:14,576
– Yeah, well let's get goin'—
– Hey! Relax. Right?
534
00:41:15,969 --> 00:41:20,997
Boy, daddio, you bums sure got
the Edge rockin' and rollin'.
535
00:41:21,474 --> 00:41:22,485
What do you mean?
536
00:41:23,763 --> 00:41:26,263
– Every gang's after you bums.
MARLOWE: Every gang?
537
00:41:26,539 --> 00:41:29,621
BRICK: Yeah, daddio,
and not just hoods from the Edge.
538
00:41:29,917 --> 00:41:34,057
Cats like Sternwood are comin' from
every city in the West lookin' for them keys.
539
00:41:34,362 --> 00:41:36,366
You bums are in some deep trouble.
540
00:41:36,843 --> 00:41:41,593
Check it out: I heard
they can make cities disappear.
541
00:41:42,481 --> 00:41:46,831
Hey, I say let 'em, it ain't
no sweat off my back, right [laughs].
542
00:41:47,260 --> 00:41:49,073
PHIL: But I bet you
want those keys too, huh?
543
00:41:49,540 --> 00:41:55,083
Naaah, what's Brick Bardo
gonna do with keys, right?
I ain't got a car [laughs].
544
00:41:55,837 --> 00:41:57,325
Then why'd you save our skins?
545
00:41:58,708 --> 00:41:59,862
I was paid to.
546
00:42:00,378 --> 00:42:01,503
By who, Bart?
547
00:42:02,476 --> 00:42:05,033
A South Side whore named Miles Archer.
548
00:42:06,645 --> 00:42:09,488
Miles? MILES ARCHER?
549
00:42:09,984 --> 00:42:10,967
PHIL!
550
00:42:11,205 --> 00:42:15,041
– You know Miles Archer?!
– Hey, I just told you
she paid me, you ding.
551
00:42:15,279 --> 00:42:18,032
She's waitin' for you in Rick's place,
it's over in the next district.
552
00:42:18,074 --> 00:42:18,885
Let's go!
553
00:42:20,087 --> 00:42:23,226
We'll go buddy, after you hand me them keys.
554
00:42:24,571 --> 00:42:27,004
MARLOWE: You said
you didn't want the keys, buddy—
BRICK: Yeah, I lied.
555
00:42:27,242 --> 00:42:29,818
BRICK: Now hand me the fuckin' keys,
I ain't got all night.
556
00:42:30,295 --> 00:42:31,716
[STERNWOOD snarls]
MARLOWE: Give him the keys—
557
00:42:33,518 --> 00:42:34,498
You tell me what they're for first
and then I'll give 'em to you.
558
00:42:34,540 --> 00:42:38,127
– Gimme the fuckin' keys, Phil,
or I blow his balls off.
– Give 'em! Give' em!
559
00:42:38,308 --> 00:42:40,493
Gimme the fuck—
[BRICK fires; MARLOWE screams]
560
00:42:41,571 --> 00:42:43,460
– Take it easy.
– Come on, pal.
561
00:42:47,840 --> 00:42:49,334
[BRICK laughs; the keys jangle]
562
00:42:50,571 --> 00:42:53,294
[screams]
563
00:42:53,336 --> 00:42:57,051
[screams and gunshots]
564
00:42:57,093 --> 00:42:58,635
Marlowe, come on!
565
00:42:58,677 --> 00:43:07,901
[screams, roars, and terrified hollering]
566
00:43:08,216 --> 00:43:09,828
[knife cutting into tough flesh]
567
00:43:11,009 --> 00:43:14,700
[STERNWOOD's last gasps]
568
00:43:14,713 --> 00:43:18,229
[music speeds up into
heavy, menacing drums and synths]
569
00:43:18,271 --> 00:43:19,731
[MARLOWE shrieks]
570
00:43:32,324 --> 00:43:38,114
♪ We had warnings of dark clouds forming ♪
571
00:43:38,639 --> 00:43:44,697
♪ Fear has brought me to my knees ♪
572
00:43:40,213 --> 00:43:41,148
Phil!
573
00:43:46,262 --> 00:43:51,957
♪ Memories haunt me, darkness wants me ♪
574
00:43:52,310 --> 00:43:56,631
♪ Someone wake me please ♪
575
00:43:56,641 --> 00:43:58,215
♪ It's a dream ♪
576
00:43:58,616 --> 00:44:01,541
♪ Nightmare
Like a child screaming ♪
577
00:44:01,583 --> 00:44:04,836
♪ Nightmare
They say he's only dreaming ♪
578
00:44:06,057 --> 00:44:09,119
♪ Is under the bed?
It is all in his head? ♪
579
00:44:09,224 --> 00:44:11,052
CHESTER: Fuckin' hold it right there.
580
00:44:11,094 --> 00:44:13,985
♪ Nightmare ♪
581
00:44:16,664 --> 00:44:28,733
[MARLOWE screams;
giant radioactive rat roars]
582
00:44:29,881 --> 00:44:40,487
[radioactive rat roar recedes;
music fades into uncertainty]
583
00:44:44,260 --> 00:44:48,349
Okay, dude, don't move
or I'll blow your god damn head off.
584
00:44:48,704 --> 00:44:51,598
– Now where are those little red keys?
– I don't have the keys!
585
00:44:51,904 --> 00:44:56,704
You hear me? Or do you
wanna be a dead dude, dude?
586
00:44:57,188 --> 00:45:06,706
[radioactive rat roar returns;
profanity and gunshots]
587
00:45:07,256 --> 00:45:08,300
Phil!
588
00:45:13,115 --> 00:45:15,818
Phil? Phil!
589
00:45:17,100 --> 00:45:18,349
Oh, shit.
590
00:45:20,503 --> 00:45:24,327
MARLOWE: Oh, oh… he lost me again.
591
00:45:29,410 --> 00:45:32,286
– Man, what's wrong with you?
– Just cool it, okay?
592
00:45:39,427 --> 00:45:40,396
Phil?
593
00:45:42,916 --> 00:45:45,813
Why'd you stop us from
zappin' those guys when we like had 'em?
594
00:45:46,912 --> 00:45:48,807
Hey—you givin' up?
595
00:46:00,741 --> 00:46:05,566
[mumbling] Huh? Oh—clothes? Clothes!
596
00:46:14,958 --> 00:46:16,659
[mumbling] These things'll cover me up.
597
00:46:31,921 --> 00:46:34,700
[mumbling] Mmm. Right.
598
00:46:37,327 --> 00:46:40,903
[door creaks loudly]
599
00:46:42,799 --> 00:46:44,662
WARPED VOICE: Well?
CHESTER: He won't tell us nothin'.
600
00:46:44,845 --> 00:46:49,617
WARPED VOICE: But what about the keys?
Pray, you did get them, didn't you?
601
00:46:49,659 --> 00:46:52,546
CHESTER: No, he didn't have 'em.
We searched the fucker inside out.
602
00:46:52,794 --> 00:46:55,692
WARPED VOICE: You little fool.
You said you had them.
603
00:46:55,734 --> 00:46:57,630
CHESTER: I know, I know,
I screwed up. Big deal.
604
00:46:57,672 --> 00:47:00,732
WARPED VOICE: You don't
seem to understand, Chester.
605
00:47:00,774 --> 00:47:05,827
This is not just another disco drug deal.
The world is at stake here.
606
00:47:05,869 --> 00:47:06,773
CHESTER: Alright, alright.
607
00:47:07,183 --> 00:47:11,846
WARPED VOICE: Now, you did say
there were two boys, did you not?
CHESTER: Yeah…
608
00:47:14,496 --> 00:47:17,867
[whispering] Phil! Phil! Phil!
609
00:47:26,644 --> 00:47:28,465
– Untie me!
– You okay?
– Yeah.
610
00:47:29,272 --> 00:47:36,619
– I was worried about ya.
– Shhh! Come on. Those punks!
611
00:47:40,754 --> 00:47:44,372
– Oh, Phil!
– Shhh! Come on.
612
00:47:48,336 --> 00:47:50,771
WARPED VOICE: He must be found immediately!
613
00:47:50,813 --> 00:47:53,722
CHESTER: Alright, alright, fuck!
The other boy must've had the keys.
614
00:47:53,764 --> 00:47:58,989
WARPED VOICE: If Miles Archer gets him into her video district,
we're all as good as dead.
615
00:47:59,031 --> 00:48:00,087
CHESTER: Alright, alright.
616
00:48:00,129 --> 00:48:01,239
PHIL: [whispering] Come on, Marlowe.
617
00:48:01,282 --> 00:48:05,009
WARPED VOICE: Miles will get the keys
and she'll launch the missile.
618
00:48:05,051 --> 00:48:05,934
[whispering] Come on.
619
00:48:08,692 --> 00:48:10,501
MARLOWE: Wait!
WARPED VOICE: That sound—
620
00:48:11,890 --> 00:48:17,217
[gunshots and angry disco mutant swearing]
621
00:48:27,227 --> 00:48:31,578
[whispering] Come on, follow.
This way. Just follow me.
622
00:48:32,795 --> 00:48:35,877
Come on, we gotta get outta this city, Marlowe.
Everybody's tryin' to kill us.
623
00:48:35,919 --> 00:48:38,525
– Nah, we just gotta find Miles.
– Miles?!
624
00:48:38,816 --> 00:48:40,442
Yeah, she'll know what to do!
625
00:48:40,539 --> 00:48:43,706
– How do you know
she's not out to get us, huh?
– She's a right peach, Phil.
626
00:48:44,126 --> 00:48:48,671
No reason to trust her. Maybe she, maybe she's
just gonna blow up the world, too, huh?
627
00:48:48,822 --> 00:48:52,721
No, no, don't you remember how it started?
Those mutants that were tryin' to hurt her?
628
00:48:52,763 --> 00:48:55,434
They're the ones that wanna
blow up the world. Not Miles.
629
00:48:57,416 --> 00:48:58,267
Marlowe!
630
00:48:59,775 --> 00:49:00,970
MARLOWE: That you, Miles?
631
00:49:03,921 --> 00:49:05,645
It's Miles! Phil!
632
00:49:06,291 --> 00:49:08,952
Miles, where you been!
I missed ya!
633
00:49:08,994 --> 00:49:11,525
You were at the—at the phone booth
an' everything, we missed ya—
634
00:49:12,624 --> 00:49:14,442
– Phil? Phil, Miles? Remember?
– Yeah, I remember.
635
00:49:14,466 --> 00:49:15,424
MILES: We'll talk later.
636
00:49:15,903 --> 00:49:17,815
PHIL: What?
MILES: Let's go.
MARLOWE: Miles!
637
00:49:18,719 --> 00:49:20,875
– Yeah, well how about
some answers first, Miles.
– It's Miles!
638
00:49:20,917 --> 00:49:23,233
– I mean, people are tryin'
to kill us 'cause of you.
– Get in here!
639
00:49:24,245 --> 00:49:26,625
– Well, at least tell me
where we're goin', Miles.
640
00:49:28,058 --> 00:49:31,159
So, Miles, you wanna know
what we been doin', Miles?
641
00:49:32,129 --> 00:49:35,198
Well we been lookin' for you,
but this guy Bart, um…
642
00:49:36,353 --> 00:49:41,574
[frustrated passions play out on the synthesiser]
643
00:49:42,453 --> 00:49:44,135
Oh, Phil…
644
00:50:21,139 --> 00:50:25,865
♪ Whoa, whoa-oh, whoa ♪
645
00:50:29,144 --> 00:50:35,689
♪ Guilty pleasures
Standing just outside my door ♪
646
00:50:36,208 --> 00:50:43,614
♪ Drastic measures
Things I've never done before ♪
647
00:50:43,656 --> 00:50:50,448
♪ Ooo it will be sheer delight, I know ♪
648
00:50:51,166 --> 00:50:56,300
♪ When I make you mine tonight ♪
649
00:50:56,387 --> 00:50:57,661
THUG: Okay, here we go.
650
00:50:59,430 --> 00:51:02,053
♪ Guilty pleasures ♪
651
00:51:07,496 --> 00:51:14,536
♪ Minds exciting
Oh, you're such a troubled guest ♪
652
00:51:15,018 --> 00:51:22,380
♪ So inviting
I'm on the edge of heat, distressed ♪
653
00:51:22,924 --> 00:51:29,592
♪ Oh, you'll treat me bad tonight, oh yeah ♪
654
00:51:29,944 --> 00:51:34,113
♪ Turn my dreams to real life [fading] ♪
655
00:51:34,810 --> 00:51:37,660
Why don't you go on in
and take it easy,
656
00:51:39,325 --> 00:51:41,124
while I slip into something
657
00:51:42,675 --> 00:51:44,214
more comfortable.
658
00:51:45,265 --> 00:51:51,726
♪ Guilty pleasures
Open up, open up, I want more ♪
659
00:51:53,869 --> 00:51:57,614
♪ Angels are dancing through my head ♪
660
00:52:00,901 --> 00:52:06,155
♪ Going places I have never, never been ♪
661
00:52:06,540 --> 00:52:09,463
Look at this. A real sweet peach.
[revolver clicks]
662
00:52:09,557 --> 00:52:18,754
♪ No, I can't fight it
Oooh, it feels so right ♪
663
00:52:24,507 --> 00:52:26,254
Somethin' queer goin' on here.
664
00:52:28,710 --> 00:52:30,280
Somethin' really queer.
665
00:52:39,696 --> 00:52:42,556
You're good already Miles.
You got the keys yet?
666
00:52:43,306 --> 00:52:50,619
♪ Baited treasures
Well, maybe this time I've gone too far ♪
667
00:52:51,379 --> 00:52:57,621
♪ Oooh, you'll treat me bad tonight, oh yeah ♪
668
00:52:58,328 --> 00:53:03,915
♪ Turn my dreams to real life ♪
669
00:53:06,557 --> 00:53:09,376
♪ Guilty pleasures ♪
670
00:53:13,538 --> 00:53:17,179
♪ Guilty pleasures ♪
[air raid sirens begin to wail]
671
00:53:17,474 --> 00:53:20,703
[atomic bomb thunder crash
while air raid sirens wail]
672
00:53:53,847 --> 00:53:56,074
[bomb shelter doors crash shut]
673
00:53:57,373 --> 00:54:00,107
Oh my God, them keys
can launch a nuclear missile.
674
00:54:00,429 --> 00:54:03,943
See, Marlowe, I was right.
Miles wants to blow up the world, too.
675
00:54:04,970 --> 00:54:06,714
Gotta get outta here
before it's too late.
676
00:54:08,879 --> 00:54:10,426
It is too late, Phil.
677
00:54:12,850 --> 00:54:15,654
I'm gonna blow your head off
unless I get those keys.
678
00:54:15,696 --> 00:54:17,366
[whimpering] So, what does this mean, Miles?
679
00:54:18,146 --> 00:54:19,544
You don't love me no more?
680
00:54:22,352 --> 00:54:23,329
Oh shit.
681
00:54:33,474 --> 00:54:37,631
– Come on, Marlowe—come on—come on!
– Okay! Okay.
682
00:54:37,866 --> 00:54:44,819
[flailing and hollering and gunshots galore]
Hurry, Phil! Hurry!
683
00:54:48,283 --> 00:54:49,199
Go, hurry!
684
00:54:56,906 --> 00:54:58,101
Duck, Phil, duck!
685
00:54:58,143 --> 00:55:03,933
♪ Oooh, it will be sheer delight, I know ♪
686
00:55:04,676 --> 00:55:09,983
♪ When I make you mine tonight ♪
687
00:55:12,829 --> 00:55:15,625
♪ Guilty pleasures ♪
688
00:55:21,489 --> 00:55:28,083
♪ Minds exciting
Oh, you're such a troubled guest ♪
689
00:55:28,281 --> 00:55:36,063
♪ But so inviting
I'm on the edge of heat, distressed ♪
690
00:55:33,613 --> 00:55:35,036
[discordant cymbals]
691
00:55:36,397 --> 00:55:42,954
♪ Ooo, you'll treat me bad tonight, oh yeah ♪
692
00:55:43,486 --> 00:55:48,806
♪ Turn my dreams to real life ♪
693
00:55:49,647 --> 00:55:53,838
[roaring, booing, furious crowd]
694
00:55:51,750 --> 00:55:54,113
♪ Guilty pleasures ♪
695
00:55:58,679 --> 00:56:02,539
♪ Guilty pleasures ♪
696
00:56:05,755 --> 00:56:12,263
♪ Guilty pleasures
Knocking on my front door ♪
697
00:56:12,696 --> 00:56:19,537
♪ Guilty pleasures
Open up, open up, I want more ♪
698
00:56:19,970 --> 00:56:24,536
♪ Guilty pleasures ♪
699
00:56:26,960 --> 00:56:30,091
♪ Guilty pleasures ♪
700
00:56:32,664 --> 00:56:35,831
♪ Whoa-oh, guilty pleasures ♪
701
00:56:42,611 --> 00:56:51,630
[sirens and chanting crowd fade away]
702
00:56:52,100 --> 00:56:55,972
PHIL: Like Philip Marlowe,
we now saw the world for what it was:
703
00:56:57,049 --> 00:56:58,434
Cold and bitter.
704
00:57:00,315 --> 00:57:04,435
Sad thing was, me and Marlowe'd
become infected by the disease.
705
00:57:05,449 --> 00:57:08,735
We was angry and vengeful
and all we wanted to do was
to get back at the world,
706
00:57:08,777 --> 00:57:10,695
to make 'em all pay
for what they'd done to us.
707
00:57:11,969 --> 00:57:14,369
We'd slipped over the edge into the dark side,
708
00:57:15,149 --> 00:57:19,491
where the Rusty Mars
and the Miles Archers
of this world wallowed.
709
00:57:20,926 --> 00:57:22,361
We wasn't kids no more,
710
00:57:23,487 --> 00:57:25,311
and oh would the world be sorry.
711
00:57:38,519 --> 00:57:39,558
We can't ever let 'em—
712
00:57:40,832 --> 00:57:43,443
we can't ever let those creeps
blow up the world again.
713
00:57:46,944 --> 00:57:49,604
They ain't never gonna get these keys.
714
00:57:50,631 --> 00:57:54,182
Right… right!
715
00:57:57,064 --> 00:57:58,475
It's you and me.
716
00:58:05,601 --> 00:58:06,986
We are the bait.
717
00:58:10,710 --> 00:58:12,306
Swell.
718
00:58:16,550 --> 00:58:17,935
I love it.
719
00:58:23,911 --> 00:58:25,396
No more yakkin'.
720
00:58:27,016 --> 00:58:28,575
No more high times.
721
00:58:32,398 --> 00:58:33,549
No more nothin'.
722
00:58:38,262 --> 00:58:41,417
[revolver clicks,
firing off tragic synths]
723
00:58:42,073 --> 00:58:43,161
Ditto.
724
00:59:02,568 --> 00:59:04,184
[thunder crash]
725
00:59:05,295 --> 00:59:10,924
♪ Turned around and faced myself
For the first time in my life ♪
726
00:59:11,852 --> 00:59:15,774
♪ I was running through the maze
of an endless darkness ♪
727
00:59:16,548 --> 00:59:18,520
♪ Just trying to survive ♪
728
00:59:19,027 --> 00:59:25,592
♪ And if I had you here beside me
I would never let you go ♪
729
00:59:25,634 --> 00:59:31,090
Oh—
[synths quiver and fade]
730
00:59:33,638 --> 00:59:35,704
Drop the fuckin' gun, dig?
731
00:59:36,793 --> 00:59:38,847
– Little assholes.
– Why you—
732
00:59:40,294 --> 00:59:43,004
Where the fuck are the fuckin' keys?
733
00:59:44,266 --> 00:59:48,373
Like I lost them man, really!
I was trying to square their trail too!
734
00:59:53,507 --> 00:59:55,289
Let's fuckin' waste her.
735
00:59:57,355 --> 00:59:58,666
[two gunshots]
736
00:59:58,802 --> 01:00:03,702
♪ On the edge of a broken dream
I heard your footsteps in the night ♪
737
01:00:04,495 --> 01:00:08,049
♪ I was running through the maze
of an endless darkness ♪
738
01:00:08,239 --> 01:00:10,554
♪ And they stood in the light ♪
739
01:00:11,118 --> 01:00:14,150
♪ Like a white knight
riding on a breathless horse ♪
740
01:00:14,192 --> 01:00:17,133
♪ You came and saved me from my fears ♪
741
01:00:17,509 --> 01:00:25,201
♪ But as you turned away and left me
I saw the truth behind my tears ♪
742
01:00:25,577 --> 01:00:31,925
♪ You turn away and leave me here
Where I've been standing all my life ♪
743
01:00:28,050 --> 01:00:28,903
Rusty: Phil!
744
01:00:32,390 --> 01:00:39,674
♪ After giving me a reason to find love ♪
745
01:00:41,352 --> 01:00:42,823
[revolver hammer clicks]
746
01:00:43,346 --> 01:00:44,453
Oh, no.
747
01:00:47,225 --> 01:00:48,745
Please, please.
748
01:00:50,022 --> 01:00:51,080
[hammer slams on an empty chamber]
749
01:00:55,153 --> 01:00:56,600
Come on, Phil.
[hammer clicks again]
750
01:00:59,700 --> 01:01:00,539
Come on.
751
01:01:01,512 --> 01:01:03,081
We got garbage to clean up.
752
01:01:04,515 --> 01:01:05,209
Phil!
753
01:01:07,409 --> 01:01:09,270
I'm sorry about the meat locker.
754
01:01:10,279 --> 01:01:12,492
– And I'm sorry about all the lies I told you—
– Save it, baby.
755
01:01:14,802 --> 01:01:17,234
That was a million years ago
and I got a short memory.
756
01:01:19,775 --> 01:01:21,320
In fact, I don't even remember who you are.
757
01:01:25,454 --> 01:01:26,366
But why'd you save me?
758
01:01:27,314 --> 01:01:28,907
– I mean after what I did to you—
– Look!
759
01:01:29,235 --> 01:01:30,767
We don't got time for this, okay?
760
01:01:31,631 --> 01:01:33,053
We're on the clock, sister.
761
01:01:33,418 --> 01:01:36,920
This is his time to clear the board,
win the game, chambers loaded, hammers cocked.
762
01:01:37,297 --> 01:01:40,616
Y'know our fingers are itchin'
like a cat with a serious case of fleas.
763
01:01:42,951 --> 01:01:43,924
Come on, pal.
764
01:01:44,848 --> 01:01:47,328
Let's push muscle. Come on!
765
01:01:50,246 --> 01:01:51,170
Phil, wait!
766
01:01:53,165 --> 01:01:54,757
Like, please, Phil!
767
01:01:58,308 --> 01:02:01,323
– Phil, wait!
– Look, dress or no dress,
you ain't gettin' no second chance, baby.
768
01:02:08,035 --> 01:02:10,467
Man, don't you see why
I had to rip you off?
769
01:02:10,686 --> 01:02:12,237
It's like the world we live in, man,
770
01:02:12,279 --> 01:02:15,331
– it's dog eat dog!
– And man eat man, don't they?
771
01:02:16,498 --> 01:02:17,337
Phil!
772
01:02:19,441 --> 01:02:20,632
Damnit, Rusty!
773
01:02:21,423 --> 01:02:25,143
You double-crossed me.
I saved your skin, so just beat it, Rusty!
774
01:02:26,007 --> 01:02:28,305
I don't ever wanna see
your double-crossin' face again.
775
01:02:28,451 --> 01:02:30,664
This stick ain't playin' the sap no more.
776
01:02:31,892 --> 01:02:35,710
– Phil, just let me do somethin'—
– Just shut up and crawl away?
777
01:02:36,780 --> 01:02:39,625
[sobbing] You have no idea
what it took to get here!
778
01:02:39,966 --> 01:02:42,969
Fifteen years of murder and rape!
779
01:02:48,720 --> 01:02:51,572
And I did anything
I could to survive—anything—
780
01:02:51,614 --> 01:02:53,888
and don't gotta apologise to nobody.
781
01:02:55,225 --> 01:02:56,113
You dig?
782
01:03:04,892 --> 01:03:09,340
[RUSTY sobs]
783
01:03:10,534 --> 01:03:12,358
You wanna know
the saddest thing, Rusty?
784
01:03:15,495 --> 01:03:18,316
Me and Marlowe used to be
a couple swell, decent Joes.
785
01:03:22,742 --> 01:03:24,821
Now we're carryin'
so much hate and jade,
786
01:03:29,296 --> 01:03:30,609
we're not much better than you.
787
01:03:41,483 --> 01:03:45,352
[sobbing] They'll kill you, Phil!
788
01:03:48,065 --> 01:03:50,392
[PHIL strikes a match sharply]
789
01:03:56,581 --> 01:03:58,076
Yeah, well I'd like to see 'em try.
790
01:04:02,831 --> 01:04:13,665
[music hammers down like rain]
791
01:04:22,602 --> 01:04:29,460
♪ She's on the make, she's got what it takes
She's getting what she's after ♪
792
01:04:30,323 --> 01:04:37,874
♪ She'll never lose, she's got so many moves
She'll turn your heart to ashes ♪
793
01:04:39,381 --> 01:04:41,212
♪ In a blaze of flashing light ♪
794
01:04:41,254 --> 01:04:48,848
♪ She's a fire,
raging out of control ♪
795
01:04:48,890 --> 01:04:55,322
♪ She's a fire,
She'll burn you to your— ♪
796
01:04:55,565 --> 01:05:02,897
♪ They stop and stare, but she don't care
There's evil in her eyes ♪
797
01:05:03,262 --> 01:05:10,339
♪ She's got the power, she wants control
She'll cut you down to size ♪
798
01:05:12,199 --> 01:05:16,048
♪ In a blaze of flashing light
Hear the sirens in the night ♪
799
01:05:16,090 --> 01:05:23,599
♪ She's a fire,
raging out of control ♪
800
01:05:23,641 --> 01:05:33,794
♪ She's a fire,
she'll burn you to your soul ♪
801
01:05:39,229 --> 01:05:46,598
♪ She's a fire,
raging out of control ♪
802
01:05:46,999 --> 01:05:57,140
♪ She's a fire,
she'll burn you to your soul ♪
803
01:06:00,532 --> 01:06:03,159
♪ She's a fire ♪
804
01:06:03,754 --> 01:06:05,638
[door slams on the music]
805
01:06:06,089 --> 01:06:08,752
PHIL: So far,
our plan was workin' like a charm.
806
01:06:09,457 --> 01:06:12,679
Our little stroll through Edge City
had stirred things up just right.
807
01:06:13,421 --> 01:06:18,783
With us as the bait,
every big fish in the post-nuke world
was followin' us into that warehouse.
808
01:06:19,768 --> 01:06:22,601
Now all we had to do
was to get 'em to kill each other off,
809
01:06:23,367 --> 01:06:24,814
without killin' us.
810
01:06:39,339 --> 01:06:48,350
[MILES' hard and measured footsteps echo]
811
01:07:32,444 --> 01:07:36,177
Drop the Roscoe,
or I'll peel your windpipe.
812
01:07:39,983 --> 01:07:41,478
[chuckling] Miles.
813
01:07:47,679 --> 01:07:50,877
Okay, your move.
814
01:08:00,775 --> 01:08:03,754
Back off. Just back off.
815
01:08:05,067 --> 01:08:07,652
Your breath smells like the runs, Miles.
816
01:08:07,694 --> 01:08:11,256
It's irritatin' my nose and wrinklin' my suit.
817
01:08:14,138 --> 01:08:19,111
Oh, Marlowe's one tough dick now.
818
01:08:20,473 --> 01:08:21,482
Yeah.
819
01:08:22,102 --> 01:08:25,020
Yeah! And you shouldn't've crossed the line!
820
01:08:40,280 --> 01:08:42,274
Give me the keys.
821
01:08:49,290 --> 01:08:51,552
[fizz BOOM]
822
01:09:28,271 --> 01:09:31,102
WARPED VOICE: You, my brothers, have done well.
823
01:09:31,707 --> 01:09:39,077
Against all sane odds,
you have turned away all
who would steal our rightful prize.
824
01:09:39,772 --> 01:09:42,851
You're both truly remarkable.
825
01:09:43,724 --> 01:09:49,741
Pray, first the keys, brother.
826
01:09:50,791 --> 01:09:52,500
Drop the rods, pugface.
827
01:09:52,856 --> 01:09:54,647
Drop 'em,
or the keys disappear forever.
828
01:09:54,689 --> 01:09:57,093
– We could pray drop you, brother.
– Think so?
829
01:09:57,797 --> 01:10:00,097
Then try it, swift.
Go ahead, try it.
830
01:10:00,692 --> 01:10:04,747
Hey, you better watch it, chiro.
It's Phillip and Marlowe you're dealing with here.
831
01:10:05,627 --> 01:10:06,619
WARPED VOICE: It can't be.
832
01:10:10,764 --> 01:10:11,572
Phillip.
833
01:10:13,317 --> 01:10:14,134
Marlowe.
834
01:10:14,896 --> 01:10:18,062
You mean… you actually know these guys?
835
01:10:20,372 --> 01:10:21,220
WARPED VOICE: Yeah…
836
01:10:24,918 --> 01:10:27,859
from a very long time ago.
837
01:10:38,173 --> 01:10:42,717
[squeal of protesting rubber]
838
01:10:42,759 --> 01:10:46,615
[voice suddenly clear]
Hiya, squirt! Remember me?
839
01:10:51,217 --> 01:10:52,207
[whispering] Pop.
840
01:10:55,636 --> 01:10:58,652
– Pop!
– Jesus Christ.
841
01:11:00,520 --> 01:11:05,279
CHANDLER: “His face twisted grotesquely,
turning a pukish shade of—”
842
01:11:05,321 --> 01:11:07,213
come on kid, you hafta—
[child MARLOWE babbles]
843
01:11:07,502 --> 01:11:10,229
“Bugsy gurgled as I crushed his—”
844
01:11:10,271 --> 01:11:12,854
– come on, you wanna learn how to read,
don't you?
– I'm trying.
845
01:11:12,896 --> 01:11:15,476
– Hey, look, squirt—
– Knock it off, Spade.
846
01:11:16,090 --> 01:11:20,122
– Beatin' a dead horse,
the kid's got brain damage.
– That ain't my fault.
847
01:11:22,675 --> 01:11:25,363
– Don't take any wooden nickels.
– Swell.
848
01:11:25,742 --> 01:11:27,844
– Chin up.
– Chin up.
849
01:11:32,607 --> 01:11:36,440
WARPED VOICE: Yeah, we're your…
850
01:11:36,482 --> 01:11:38,263
[voice suddenly clear] …“pops”, alright.
851
01:11:39,806 --> 01:11:42,215
He's not, Marlowe. No he's not.
852
01:11:43,441 --> 01:11:46,608
These are the creeps that locked us
in that bomb shelter 15 years ago.
853
01:11:47,708 --> 01:11:48,656
Aren'tcha.
854
01:11:50,081 --> 01:11:52,444
Now they've come back to get these keys
and they're gonna kill us for 'em.
855
01:11:53,581 --> 01:11:54,808
They're gonna kill you.
856
01:11:56,504 --> 01:11:57,388
Aren'tcha.
857
01:11:57,866 --> 01:11:59,697
They don't care about them stupid keys.
858
01:12:01,366 --> 01:12:02,449
Do ya?
859
01:12:03,261 --> 01:12:05,732
The keys,
or I blow the shit out of his head.
860
01:12:09,629 --> 01:12:11,064
Throw us the keys, Phil.
861
01:12:11,497 --> 01:12:14,844
She won't shoot Marlowe,
she knows we'll blow her away.
862
01:12:18,416 --> 01:12:20,229
The keys, before it's too late.
863
01:12:21,014 --> 01:12:22,746
There you go.
[keys clatter on concrete]
864
01:12:22,989 --> 01:12:26,676
[awful silence falls]
865
01:12:37,874 --> 01:12:41,846
[the beat comes back in full force]
866
01:12:41,888 --> 01:12:44,291
[radioactive rat's roaring rampage]
867
01:12:44,333 --> 01:12:45,497
Fuckin' rat!
868
01:12:46,282 --> 01:12:48,284
You fuckin' piece of shit rat!
869
01:12:48,356 --> 01:12:52,147
Agh, lemme go! Lemme go, please!
870
01:12:56,908 --> 01:12:59,254
♪ There's a storm out in the distance ♪
871
01:13:00,481 --> 01:13:04,657
♪ Rising fast and getting close to you ♪
872
01:13:05,424 --> 01:13:10,530
♪ You'll feel its breath upon your back
before you're through ♪
873
01:13:11,667 --> 01:13:17,016
♪ It's after you, comin' after you ♪
874
01:13:18,261 --> 01:13:20,980
♪ So you run into the shadows ♪
875
01:13:21,720 --> 01:13:25,739
♪ Livin' in a world that's grown so cold ♪
876
01:13:26,669 --> 01:13:31,838
♪ And now you're holding on
to dreams of long ago ♪
877
01:13:32,388 --> 01:13:38,612
♪ Don't turn away (×2) ♪
878
01:13:38,864 --> 01:13:41,134
♪ When lightning strikes ♪
879
01:13:42,269 --> 01:13:46,017
♪ We will stand or we will fall ♪
880
01:13:47,049 --> 01:13:50,808
♪ Hold on, answer to the call ♪
881
01:13:51,154 --> 01:13:53,429
♪ When lightning strikes ♪
882
01:13:54,409 --> 01:14:00,689
♪ We will pay the price and rise above it all ♪
883
01:14:03,061 --> 01:14:05,536
♪ When lightning strikes ♪
884
01:14:16,043 --> 01:14:18,555
♪ You can break out of the darkness ♪
885
01:14:19,619 --> 01:14:23,486
♪ Fighting for our dream,
you'll find the way ♪
886
01:14:24,373 --> 01:14:29,846
♪ But when you're caught
between the bounds of love and hate ♪
887
01:14:26,648 --> 01:14:33,451
Squirts! Run, get outta here! [echoing]
888
01:14:30,434 --> 01:14:35,935
♪ It's up to you (×2) ♪
889
01:14:37,308 --> 01:14:39,582
♪ There's no one to rely on ♪
890
01:14:40,889 --> 01:14:44,648
♪ Fire and destruction's all you know ♪
891
01:14:45,638 --> 01:14:51,601
♪ And though the world beneath your feet
begins to roll ♪
892
01:14:51,643 --> 01:14:57,611
♪ Don't lose control (×2) ♪
893
01:14:57,779 --> 01:15:00,183
♪ When lightning strikes ♪
894
01:15:01,335 --> 01:15:05,049
♪ We will stand or we will fall ♪
895
01:15:06,064 --> 01:15:09,957
♪ Hold on, answer to the call ♪
896
01:15:10,088 --> 01:15:12,357
♪ When lightning strikes ♪
897
01:15:13,475 --> 01:15:20,594
♪ We will pay the price and rise above it all ♪
898
01:15:22,033 --> 01:15:31,493
♪ When lightning strikes (×2) ♪
899
01:15:26,628 --> 01:15:29,541
NO! No! Stop! Pops!
900
01:15:37,508 --> 01:15:38,712
POPS!
901
01:15:42,037 --> 01:15:45,007
Pops! No! No!
902
01:15:45,623 --> 01:15:46,623
Marlowe!
903
01:15:47,949 --> 01:15:48,976
POPS!
904
01:15:50,343 --> 01:15:52,406
– No!
– NO!
905
01:15:52,544 --> 01:15:56,550
♪ Hold on, I know we'll find a way ♪
906
01:15:53,180 --> 01:15:57,685
– Marlowe!
– NO! POPS!
907
01:15:56,755 --> 01:15:59,010
♪ When lighting strikes ♪
908
01:15:56,984 --> 01:16:04,690
[PHIL and MARLOWE screaming]
909
01:16:00,144 --> 01:16:08,439
♪ We will pay the price and rise above it all ♪
910
01:16:08,710 --> 01:16:22,961
♪ When lightning strikes (×5) ♪
911
01:16:22,501 --> 01:16:27,466
[crumbling wall falls on the music
like a metric ton of silence]
912
01:16:34,442 --> 01:16:39,662
[crunch and groan]
913
01:17:27,962 --> 01:17:29,936
You haven't got the guts.
914
01:18:39,167 --> 01:18:40,565
Thanks.
[keys jangle]
915
01:18:58,733 --> 01:19:00,101
Jesus Christ.
916
01:19:13,807 --> 01:19:14,853
Don't worry, pop.
917
01:19:23,591 --> 01:19:26,546
We got the keys back and nobody else
is ever gonna get 'em, either.
918
01:19:33,882 --> 01:19:40,035
[bittersweetly triumphal
synths and guitars]
919
01:19:47,495 --> 01:19:49,818
[HAMMER groans]
920
01:20:02,500 --> 01:20:04,190
Who are we, anyway?
921
01:20:05,903 --> 01:20:07,685
What happened all those years ago?
922
01:20:09,513 --> 01:20:11,158
Straight scoop, alright.
923
01:20:14,320 --> 01:20:15,918
What's the difference?
924
01:20:16,918 --> 01:20:18,804
The past is past.
925
01:20:21,805 --> 01:20:23,840
Get on with your life, kid.
926
01:20:34,912 --> 01:20:35,889
Thanks, pop.
927
01:20:51,549 --> 01:20:52,757
So long, pop.
928
01:20:54,596 --> 01:20:55,585
So long.
929
01:21:13,096 --> 01:21:14,223
It's okay.
930
01:21:19,914 --> 01:21:25,617
[brighter melody struggles through]
931
01:21:26,123 --> 01:21:28,162
PHIL: When I saw all those
knuckleheads staring at us,
932
01:21:28,204 --> 01:21:30,588
I thought for a minute
we had another fight on our hands.
933
01:21:30,630 --> 01:21:33,206
I started to wonder
if saving this world had been worth it.
934
01:21:33,976 --> 01:21:35,092
Then I realised,
935
01:21:35,528 --> 01:21:37,441
they was probably
just like me and Marlowe,
936
01:21:37,483 --> 01:21:41,028
lookin' for a few high times,
and after what we'd been through,
937
01:21:41,070 --> 01:21:45,302
I figured Marlowe's silver lining
look on life was the only hope we had.
938
01:21:49,671 --> 01:21:50,912
Hey, partner.
939
01:21:52,729 --> 01:21:53,580
What.
940
01:21:57,317 --> 01:22:01,571
How about teachin' me them steps, huh.
Huh?
941
01:22:05,814 --> 01:22:06,952
What steps?
942
01:22:08,435 --> 01:22:13,897
You know, the Post-Nuke Shuffle?
Huh?
943
01:22:16,380 --> 01:22:18,231
– Really?
– Yeah, really.
944
01:22:20,059 --> 01:22:23,244
I figure it's time to lighten up
and enjoy the hand we was dealt.
945
01:22:25,509 --> 01:22:29,143
Good or bad, it's the only life we got.
946
01:22:37,685 --> 01:22:43,147
Ditto… ditto.
947
01:22:44,757 --> 01:22:49,218
So follow me out, partner,
'cause we are gonna do some dancin'.
948
01:23:07,132 --> 01:23:14,190
[peppiest music you ever heard
this side of the apocalypse]
949
01:23:14,294 --> 01:23:17,207
♪ It's a new beginning,
the fighting's over ♪
950
01:23:17,249 --> 01:23:21,009
♪ We made it, we're standing,
somehow we survived ♪
951
01:23:21,228 --> 01:23:24,405
♪ Gotta happy ending,
so let's celebrate ♪
952
01:23:24,447 --> 01:23:27,854
♪ By shakin' up, and makin' up
for lost time ♪
953
01:23:27,896 --> 01:23:31,338
♪ Some dickin' and dancin'
and nukin' the blues ♪
954
01:23:31,380 --> 01:23:34,776
♪ We're mondo bizarro,
we're happenin' dudes ♪
955
01:23:34,818 --> 01:23:37,558
♪ Come on,
just turn it loose, oh ♪
956
01:23:37,600 --> 01:23:41,054
♪ Zim bim zowie,
we're ready for action ♪
957
01:23:41,096 --> 01:23:44,503
♪ Zim bim zowie,
whoa-oh-oh-oh ♪
958
01:23:44,545 --> 01:23:47,964
♪ Zim bim zowie,
we're radioactive ♪
959
01:23:48,006 --> 01:23:51,455
♪ Zim bim zowie,
whoa-oh-oh-oh ♪
960
01:23:52,893 --> 01:23:56,587
♪ It's an open invitation
to everybody ♪
961
01:23:56,629 --> 01:24:00,071
♪ Now we're really rockin'
with one steady roll ♪
962
01:24:00,113 --> 01:24:03,532
♪ Bring your own mutations,
no-one gets turned away ♪
963
01:24:03,574 --> 01:24:06,763
♪ This is one party
where anything goes ♪
964
01:24:06,805 --> 01:24:10,212
♪ Remember the old days,
the 4th of July ♪
965
01:24:10,254 --> 01:24:13,673
♪ Ain't seen nothin' like it
since '85 ♪
966
01:24:13,715 --> 01:24:17,352
♪ We're mondo bizarro,
we're happenin' dudes ♪
967
01:24:17,394 --> 01:24:20,560
♪ Dickin' and dancin'
and nukin' the blues ♪
968
01:24:20,602 --> 01:24:23,377
♪ Come on,
we can't lose, oh ♪
969
01:24:23,419 --> 01:24:26,903
♪ Zim bim zowie [fading] ♪
970
01:24:27,075 --> 01:24:30,019
PHIL: So that was our first
day out in the post-nuke world.
971
01:24:30,881 --> 01:24:34,124
Me and Marlowe agreed to go into business
after takin' a little time off.
972
01:24:34,779 --> 01:24:37,125
He went off lookin' for
a prettier dancin' partner, and…
973
01:24:37,561 --> 01:24:39,217
…and I went off
lookin' for Rusty.
974
01:24:39,907 --> 01:24:43,069
I figured, maybe
there was a chance for us.
975
01:24:43,506 --> 01:24:46,150
Oh, and about those keys.
976
01:24:46,507 --> 01:24:50,218
Well, don't worry, I stashed 'em in a safe place
that only me and Marlowe knew about.
977
01:24:51,060 --> 01:24:52,773
Yeah, we coulda destroyed 'em, but,
978
01:24:53,336 --> 01:24:54,843
we figured, you never know:
979
01:24:55,705 --> 01:24:58,768
In a tight jam, a nuclear missile
just might come in handy.
980
01:25:10,399 --> 01:25:15,688
♪ We run against a sky of black and red ♪
981
01:25:17,206 --> 01:25:23,300
♪ Premonitions of tomorrow
Is there a future there for me ♪
982
01:25:24,748 --> 01:25:27,542
♪ It's been a long, lonely wait ♪
983
01:25:29,313 --> 01:25:38,745
♪ Now I can see your face
in everything I say and do today,
in my life (radioactive) ♪
984
01:25:38,787 --> 01:25:45,195
♪ I need a place
to lie my head (radioactive) ♪
985
01:25:45,237 --> 01:25:51,630
♪ I close my eyes,
but there's no rest (radioactive dreams) ♪
986
01:25:52,044 --> 01:26:00,702
♪ Get me out of this wasteland
of radioactive dreams ♪
987
01:26:05,657 --> 01:26:09,992
♪ I, I see the colours changing shape ♪
988
01:26:11,510 --> 01:26:17,960
♪ Sometimes I feel the darkness
But I know in time, there will be light ♪
989
01:26:18,535 --> 01:26:23,031
♪ Break down the walls that hold us in ♪
990
01:26:23,606 --> 01:26:30,577
♪ Well, my head is pounding stronger
Does anyone hear me when I call? ♪
991
01:26:30,619 --> 01:26:39,602
♪ I'm calling (radioactive)
I need a place to lie my head (radioactive) ♪
992
01:26:39,679 --> 01:26:46,049
♪ I close my eyes,
but there's no rest (radioactive dreams) ♪
993
01:26:46,509 --> 01:26:55,581
♪ Get me out of this wasteland
of radioactive dreams ♪
994
01:26:59,732 --> 01:27:07,930
[beat shifts menacingly]
995
01:27:17,358 --> 01:27:22,888
♪ We had warnings of
dark clouds forming ♪
996
01:27:23,647 --> 01:27:29,499
♪ Fear has brought me
to my knees ♪
997
01:27:31,270 --> 01:27:36,938
♪ Memories haunt me,
darkness wants me ♪
998
01:27:37,364 --> 01:27:41,319
♪ Someone wake me please ♪
999
01:27:41,664 --> 01:27:43,393
♪ It's a dream ♪
1000
01:27:43,435 --> 01:27:46,555
♪ Nightmare
Like a child screaming ♪
1001
01:27:46,597 --> 01:27:49,862
♪ Nightmare
They say he's only dreaming ♪
1002
01:27:51,046 --> 01:27:54,208
♪ Is under the bed?
It is all in his head? ♪
1003
01:27:56,105 --> 01:27:58,899
♪ Nightmare ♪
1004
01:28:19,190 --> 01:29:20,754
[beat wanders mysteriously]
1005
01:29:20,796 --> 01:29:41,176
[final sinister synths]
1006
01:29:42,000 --> 01:29:45,000
captions by bogbody
notes at cdvr.org