WEBVTT
00:00:00.000 --> 00:00:01.000
cdvr.org
00:00:57.263 --> 00:00:59.912
What a dirty-dealing world we live in.
00:01:00.952 --> 00:01:05.895
That rat—trying to double-cross us
before we double-cross him.
00:01:05.939 --> 00:01:09.580
Forget it. We'll hole up here
for a couple weeks until the heat cools.
00:01:09.625 --> 00:01:13.449
– Enough food and water in this joint
to last a million years.
– Yeah.
00:01:21.616 --> 00:01:29.092
[air-raid sirens]
00:02:09.044 --> 00:02:15.118
♪ We had warnings of
dark clouds forming ♪
00:02:15.304 --> 00:02:21.323
♪ Fear has brought me
to my knees ♪
00:02:22.963 --> 00:02:28.633
♪ Memories haunt me
Darkness wants me ♪
00:02:28.887 --> 00:02:35.064
♪ Someone wake me please
It's a dream ♪
00:02:35.140 --> 00:02:38.206
♪ Nightmare
(Like a child screaming) ♪
00:02:38.249 --> 00:02:41.516
♪ Nightmare
(They say he's only dreaming) ♪
00:02:42.745 --> 00:02:45.888
♪ Is under the bed?
It is all in his head? ♪
00:02:47.810 --> 00:02:51.002
♪ Nightmare ♪
00:02:53.891 --> 00:02:54.687
Phil!
00:02:55.847 --> 00:02:58.421
– What?
– I broke through.
00:03:00.686 --> 00:03:02.567
I broke through!
00:03:03.521 --> 00:03:10.440
[giggling and scurrying]
00:03:06.678 --> 00:03:07.550
What?
00:03:17.454 --> 00:03:18.367
Ah!
00:03:24.236 --> 00:03:28.477
[gasps and yelps of delight]
00:03:29.184 --> 00:03:32.655
[jovial whistling]
00:03:32.698 --> 00:03:33.961
Okay Phil!
00:03:34.407 --> 00:03:39.040
PHIL: Better be some hot water left, Marlowe.
MARLOWE: I did, I did. [jovial whistling]
00:03:43.399 --> 00:03:45.129
PHIL: Argh! Marlowe!
[clanging]
00:03:46.886 --> 00:03:49.837
PHIL: Oh—how does it look, huh?
MARLOWE: It looks great!
00:03:51.237 --> 00:03:54.240
PHIL: You sure you know what you're doing?
MARLOWE: Look, I read the barber book, okay?
00:03:54.285 --> 00:03:56.083
[big snip]
PHIL: Hey, Marlowe!
00:03:58.444 --> 00:04:03.173
♪ Swing on the rhythm, give into the jive
We're gonna boogie tonight ♪
00:04:03.935 --> 00:04:08.829
♪ Smooth operator in the fast lane
He likes to boogie, give him champagne ♪
00:04:09.385 --> 00:04:15.185
♪ Moonlight and bubbles and a fast dame ♪
[swing music echoes through tunnels]
00:04:21.520 --> 00:04:26.317
PHIL: My name's Phillip, and this is gonna be
a yarn about me and my pal, Marlowe.
00:04:27.182 --> 00:04:30.889
About the day we got out of this shelter
and went off into the post-nuclear world.
00:04:31.424 --> 00:04:36.229
Now, as excited as we were about leaving the shelter,
it was still a joint that held fond memories.
00:04:36.936 --> 00:04:39.173
I mean, it was the only world we'd ever known.
00:04:39.743 --> 00:04:43.840
Where I'd practise my magic,
Marlowe was dancing,
00:04:44.520 --> 00:04:46.709
and we both dreamed
of becoming private eyes,
00:04:47.458 --> 00:04:49.558
just like the ones we'd read about.
00:05:04.692 --> 00:05:09.085
So, how do I look, pops?
“Ah, you look swell, son.”
00:05:09.771 --> 00:05:13.409
“Yeah you're one tough dick.
Oh, you're one slick dick.”
00:05:14.089 --> 00:05:15.839
Well, gee, thanks pop!
00:05:16.391 --> 00:05:19.644
♪ You know we're goin' really smooth (smooth)
in the fast lane ♪
00:05:19.782 --> 00:05:22.491
♪ He can groove (groove)
with a fast dame ♪
00:05:22.541 --> 00:05:26.738
♪ And he's hot to-night
Much to my delight
I want this guy ♪
00:05:28.338 --> 00:05:32.877
Hey Phil! New dance step!
The Post-Nuke Shuff—
00:05:33.038 --> 00:05:36.311
Whoa-oh-oh! [clatter of scattering tins and bottles]
00:05:42.161 --> 00:05:43.671
– Hey, Marlowe.
– What?
00:05:44.158 --> 00:05:47.865
Here you go, dick.
It's empty, just like your head.
00:05:48.647 --> 00:05:51.760
Thanks pal! Anyways, I'm serious
about bein' the Dancin' Dick.
00:05:51.805 --> 00:05:53.816
It's what I always wanted to be,
just like our pops.
00:05:54.303 --> 00:05:56.498
Pops? We don't know
who our fathers were.
00:05:56.540 --> 00:05:58.908
Sure we do,
they was private eyes, Phil.
00:05:59.156 --> 00:06:02.962
Marlowe, how many times do I have to tell you,
the creeps that locked us in here were not our fathers.
00:06:03.006 --> 00:06:05.045
– You're wrong!
– Oh, you're cracked, Marlowe.
00:06:05.099 --> 00:06:05.940
– Oh yeah?
– Yeah!
00:06:05.985 --> 00:06:06.862
– Yeah?
– Yeah!
00:06:06.905 --> 00:06:09.678
– Well why do you think
they never came back to get us, huh?
– Because!
00:06:10.398 --> 00:06:11.229
Because what?
00:06:12.574 --> 00:06:13.377
Huh?
00:06:14.571 --> 00:06:16.980
Because—like we always say it,
they're dead.
00:06:19.685 --> 00:06:24.778
[chains rattle, breaking the silence]
00:06:26.672 --> 00:06:28.676
You just never wanted to face the truth, did you?
00:06:29.864 --> 00:06:31.147
What truth is that, Phil?
00:06:31.779 --> 00:06:33.845
Something queer happened
to one of us in this hole.
00:06:37.551 --> 00:06:44.161
RADIO: Lucky you, you're listening to
the Nicky Nuker show on K-NUKE!
00:06:45.410 --> 00:06:46.275
Hey Phil?
00:06:48.100 --> 00:06:49.048
What?
00:06:51.409 --> 00:06:54.937
I don't want us to ever change,
no matter what happens to us out there.
00:06:57.263 --> 00:06:58.882
What are you talkin' about?
00:07:01.395 --> 00:07:05.946
Well, no matter how famous
and rich I get,
00:07:07.875 --> 00:07:11.999
no matter how smart you get,
I just, uh,
00:07:13.386 --> 00:07:15.370
just want us to always be us.
00:07:17.552 --> 00:07:22.294
Okay?
[faint echoes of children laughing, playing]
00:07:22.336 --> 00:07:23.717
Yeah, sure Marlowe.
00:07:23.963 --> 00:07:48.508
[mechanical groaning; wailing guitars]
00:07:50.278 --> 00:07:51.322
Now!
00:07:53.745 --> 00:07:58.556
– I bet there's nothin' but
love-sick dolls out there, Phil!
– Love-sick dolls, yeah!
00:07:59.071 --> 00:08:01.384
Hey, think the world's changed much?
00:08:02.331 --> 00:08:03.367
Changed?
00:08:06.669 --> 00:08:08.035
Nah!
00:08:12.359 --> 00:08:17.371
♪ We run against a sky of black and red ♪
00:08:19.165 --> 00:08:25.215
♪ Premonitions of tomorrow
Is there a future there for me ♪
00:08:26.706 --> 00:08:29.595
♪ It's been a long, lonely wait ♪
00:08:31.282 --> 00:08:40.680
♪ Now I can see your face
in everything I say and do today,
in my life (radioactive) ♪
00:08:40.723 --> 00:08:47.020
♪ I need a place
to lie my head (radioactive) ♪
00:08:47.067 --> 00:08:53.556
♪ I close my eyes,
but there's no rest (radioactive dreams) ♪
00:08:53.997 --> 00:09:02.651
♪ Get me out of this wasteland
of radioactive dreams ♪
00:09:14.144 --> 00:09:16.891
Gadzooks! Ha-ha! Real-life babe!
00:09:19.324 --> 00:09:22.534
Whoa! Mutants! Real-life mutants!
00:09:24.876 --> 00:09:26.311
No, Marlowe, wait—
00:09:27.809 --> 00:09:29.945
The keys—where are they—
00:09:29.987 --> 00:09:31.720
– I'm lookin' dude!
– My keys!
00:09:32.413 --> 00:09:33.860
Come on Marlowe,
get away from them—come on—
00:09:35.122 --> 00:09:36.532
Stop! Stop!
00:09:40.415 --> 00:09:42.773
PHIL: That was our introduction
to the post-nuke world:
00:09:43.500 --> 00:09:47.443
mutant rutabagas and a dame
with a wicked left cross.
00:09:49.103 --> 00:09:54.589
By the time I came to, Marlowe'd already agreed
to help the peach get to the nearest payphone.
00:09:54.745 --> 00:09:55.637
Let's go!
00:09:55.882 --> 00:09:58.737
Why sure! This kinda thing's
right up my alley, ma'am.
00:09:58.893 --> 00:10:01.011
You know what I mean?
I'm a dick!
00:10:01.591 --> 00:10:04.178
Huh. So you're a porno stud, huh?
00:10:04.445 --> 00:10:08.013
Uh, well, not exactly.
00:10:08.058 --> 00:10:10.243
– I'm a private eye, ma'am.
– Yeah, sure.
00:10:10.756 --> 00:10:13.655
Uh uh uh, whoa-oh-oh,
let me, let me, let me—
00:10:14.302 --> 00:10:16.711
Hop on in. Hop in!
00:10:18.517 --> 00:10:19.699
Watch your toes!
00:10:22.464 --> 00:10:24.605
– Hey—gimme the keys.
– What?
– Gimme the keys!
00:10:24.694 --> 00:10:26.545
– No way Marlowe, whatdya—
– Gimme the keys!
– Why?
00:10:26.909 --> 00:10:29.829
– You've been drivin' all morning!
– So what, it's my pop's car—
– Oh so now he's your pops—
00:10:29.871 --> 00:10:32.037
Hey—hey, listen, listen,
can we go now please?
00:10:32.079 --> 00:10:34.302
Yeah can we go now please, Marlowe?
Just get in the back seat.
00:10:34.860 --> 00:10:36.625
– Just get in!
– Okay…
00:10:37.407 --> 00:10:42.509
So, ma'am, you need a couple a' dicks, huh?
Well how much cash you carrying, huh?
00:10:55.218 --> 00:10:58.590
My name is Miles. Miles Archer.
00:10:58.636 --> 00:11:01.618
– Yeah. I'm Phillip.
– Marlowe!
00:11:03.139 --> 00:11:06.396
I think we lost 'em, Miss Archer.
Who were those guys?
00:11:06.438 --> 00:11:08.482
RADIO: …through the old annexed missile bays!
00:11:08.700 --> 00:11:11.919
RADIO: Criminals are combing the area now
for Miles Archer—
00:11:15.247 --> 00:11:17.025
So, um, Miss Archer…
00:11:18.675 --> 00:11:21.144
What's a nice girl like you
doin' in a place like this?
00:11:22.556 --> 00:11:26.892
I mean, do you have a job
round here or something?
[MILES' harsh laughter]
00:11:27.050 --> 00:11:31.474
– What?
– You've gotta be kidding…
00:11:31.514 --> 00:11:33.707
– What?
– Where do you think you are?
00:11:34.102 --> 00:11:37.460
Yeah, will you stop asking dumb questions, Phil?
Where do you think we are?
00:11:39.988 --> 00:11:41.780
Ma'am? Ma'am?
00:11:41.825 --> 00:11:44.995
Don't touch me. Understand?
00:11:46.477 --> 00:11:46.961
Sure.
00:11:58.674 --> 00:11:59.899
– Uh, Miles—
– What?
00:12:00.511 --> 00:12:04.190
– Ah, just remember, no matter
what kinda trouble you're in—
– Yeah?
00:12:04.234 --> 00:12:06.951
—well, I'd be glad
to help you any way I can.
00:12:09.489 --> 00:12:11.039
Why, thank you, Marlowe.
00:12:14.891 --> 00:12:30.575
[MARLOWE's muffled, delighted yelps
mingle with car-seat leather squeaks]
00:12:32.372 --> 00:12:34.525
[MARLOWE gulps]
00:12:35.463 --> 00:12:36.125
Marlowe.
00:12:37.844 --> 00:12:40.708
You really are a mondo nerd.
00:12:53.024 --> 00:12:57.675
Zim bim zowie!
What a smackeroo! Whoo-hoo!
00:12:58.051 --> 00:12:59.266
Big deal. Wasn't much.
00:12:59.498 --> 00:13:01.292
Yeah, I got the keys,
and then everything went to shit.
00:13:01.839 --> 00:13:03.820
Peach kept tryin' to
ride her tongue into my mouth.
00:13:03.981 --> 00:13:05.852
Oh yeah, sure, Marlowe.
00:13:06.558 --> 00:13:07.447
PHONE: The car is on the way.
00:13:08.112 --> 00:13:11.092
Oh shit. Ah, okay.
00:13:11.471 --> 00:13:14.630
Hey. Hey—think she'll marry me, Phil?
00:13:16.246 --> 00:13:19.175
Marlowe, am I gonna hafta
listen to this all day, huh?
00:13:19.574 --> 00:13:23.259
Alright? I mean, we can't afford
to be no-one's dick for free…
00:13:23.301 --> 00:13:25.299
PHIL: Miles Archer had seen somethin' comin'.
00:13:26.117 --> 00:13:27.456
Somethin' that'd been chasin' her.
00:13:28.239 --> 00:13:31.383
She took a powder, leavin' us sittin'
like a couple knuckle-brained ducks.
00:13:32.176 --> 00:13:34.389
We was the decoys coverin' her escape.
00:13:35.826 --> 00:13:39.798
Now, Miles Archer's plan would've been perfect
if she hadn't dropped her keys in Marlowe's lap.
00:13:40.989 --> 00:13:44.777
By the time she realised
her mistake, it would be too late.
00:13:46.112 --> 00:13:49.726
It was a slip-up Miles Archer
would regret for the rest of her life.
00:13:53.734 --> 00:13:55.692
She called me her mondo nerd.
[PHIL scoffs]
00:13:55.943 --> 00:13:57.139
So, what does that mean?
00:13:58.121 --> 00:14:02.328
I dunno. Must mean some, uh,
swell, post-nuke compliment.
00:14:09.869 --> 00:14:10.728
Ma'am?
00:14:11.989 --> 00:14:12.724
Ma'am?
00:14:13.504 --> 00:14:14.198
Ma'am?!
00:14:14.240 --> 00:14:15.866
[gunshots crack glass]
Aagh! Phil!
00:14:18.677 --> 00:14:20.655
Why do them scooter rutabagas
wanna get on our knuckles?
00:14:20.697 --> 00:14:23.304
I dunno, but I'm not gonna sit around
tryin' to get some answers now.
00:14:24.194 --> 00:14:26.791
[yelps and gunshots]
00:14:28.396 --> 00:14:31.299
– Hit the bricks! What about the peach?
– What about her, she took a powder!
00:14:31.341 --> 00:14:33.135
– Yeah, but—
— There's nothin', we're goin'.
00:14:41.673 --> 00:14:43.932
Come on! Let's get 'em!
00:14:51.953 --> 00:14:54.675
Why're they after us, Phil?!
They must figure we're someone else!
00:14:55.108 --> 00:14:56.037
I don't know—
00:14:56.079 --> 00:14:57.557
– Go! Fast!
– I'm goin'!
00:15:04.970 --> 00:15:07.505
Now see, get closer!
00:15:12.295 --> 00:15:14.487
Marlowe: Phil—the trailer's on fire!
00:15:14.530 --> 00:15:16.020
Well, don't just sit there, Marlowe,
go back and put it out!
00:15:16.063 --> 00:15:17.766
– How?!
– Get going!
00:15:20.064 --> 00:15:26.817
[bikers whoop, snarl, and scream]
00:15:29.932 --> 00:15:34.861
[MARLOWE shrieking and yelping]
00:15:34.952 --> 00:15:41.515
♪ All talk, no action
You don't give me no satisfaction ♪
00:15:38.343 --> 00:15:39.355
Hi.
00:15:41.557 --> 00:15:48.019
♪ All talk, you tease me
Lead me on and never try to please me ♪
00:15:53.184 --> 00:15:54.360
Oh no!
00:15:57.013 --> 00:15:58.536
Get off a' me!
00:16:00.679 --> 00:16:12.665
♪ Makes me want you so much
They'd say, “Look, but don't touch” [echoing] ♪
00:16:16.568 --> 00:16:17.534
LET GO OF ME!
00:16:28.561 --> 00:16:31.986
Gimme back my hair!
00:16:39.721 --> 00:16:40.631
Unhook it!
00:16:56.807 --> 00:16:58.095
Whoo-wee!
00:16:58.530 --> 00:17:00.171
That sure was close, eh Phil?
00:17:01.786 --> 00:17:05.717
– Well, you told me to put the fire out.
– Yeah, but not with our trailer, you knucklehead.
00:17:05.759 --> 00:17:06.964
– Oh razz razz razz—
– Yeah razz.
00:17:07.006 --> 00:17:08.238
– It ain't the end of the world!
– Oh it ain't? It ain't?
00:17:08.345 --> 00:17:10.595
– No!
– Just the end of our gas supply?
00:17:11.316 --> 00:17:13.160
But hey, what does that matter, right?
00:17:13.202 --> 00:17:15.472
Marlowe…
[PHIL and MARLOWE grumble]
00:17:15.845 --> 00:17:17.011
Hey…
00:17:18.529 --> 00:17:20.661
– Toss an eye on this.
– What? What is it?
00:17:20.758 --> 00:17:22.726
I dunno. The peach must've dropped it.
00:17:23.140 --> 00:17:25.497
Blockbusters. Blockbusters!
00:17:25.625 --> 00:17:28.115
Hey! I bet you Miles is
gonna need her keys, Phil!
00:17:28.519 --> 00:17:29.868
We better get 'em back to her, huh?
00:17:31.872 --> 00:17:35.272
Ha-hah! Now we can show her
what slick dicks we are by finding her.
00:17:35.354 --> 00:17:37.501
– Hey, Miles' name ain't on the key case.
– Huh?
00:17:38.672 --> 00:17:39.812
Dash Hammer…
00:17:40.369 --> 00:17:41.386
Dash Hammer?
00:17:42.659 --> 00:17:44.208
It belongs to our pops, Phil!
00:17:47.235 --> 00:17:48.216
Maybe he's alive.
00:17:50.768 --> 00:17:51.984
Do you really think so?
00:17:53.620 --> 00:17:55.450
I mean, maybe my pop's alive too.
00:17:57.245 --> 00:17:58.308
Wouldn't that be swell?
00:17:58.865 --> 00:18:01.186
And we can show 'em what swell
dicks we are by finding 'em.
00:18:01.294 --> 00:18:04.883
Whoo-wee! Oh, I can't wait
to see their faces.
00:18:06.759 --> 00:18:08.015
What's wrong, Phil?
00:18:08.471 --> 00:18:10.368
I mean, aren't you glad
about our pops bein' alive?
00:18:12.423 --> 00:18:14.494
Just stop callin' them
our pops, please, Marlowe?
00:18:17.387 --> 00:18:21.319
They locked us up in that bomb shelter
'cause they never intended us ever getting out, ever.
00:18:24.310 --> 00:18:27.367
How do you think they'll react
when we come strollin' up to them, huh?
00:18:28.502 --> 00:18:29.723
– We don't know for sure—
– Oh, we don't?
00:18:32.418 --> 00:18:34.994
We always figured they was dead because
they never came back to get us, right?
00:18:36.001 --> 00:18:37.462
Now we know, it just ain't so.
00:18:38.563 --> 00:18:41.093
Ah, eh, everything'll work out.
00:18:42.821 --> 00:18:44.365
What's that saying in the detective pulps?
00:18:46.170 --> 00:18:47.709
They crossed the line.
00:18:49.069 --> 00:18:50.244
They double-crossed us.
00:18:51.845 --> 00:18:53.634
That's the unforgivable sin, right?
00:18:57.887 --> 00:19:02.887
[pensive music]
00:19:21.131 --> 00:19:22.331
Hey, Marlowe, look.
00:19:22.940 --> 00:19:24.679
Hey—what's that?
00:19:24.814 --> 00:19:25.875
I dunno.
00:19:27.005 --> 00:19:28.479
Okay, just play it cool, alright?
00:19:28.560 --> 00:19:30.584
– What is it?
– Just take it easy, Marlowe.
00:19:31.556 --> 00:19:33.249
– Wow—
– Let me handle this, okay.
00:19:33.453 --> 00:19:34.902
He looks like a slick dick.
00:19:38.739 --> 00:19:40.591
Thanks for stopping, mister.
00:19:40.779 --> 00:19:42.387
Yeah. What's up, squirt?
00:19:43.134 --> 00:19:46.183
Me and my daddy ran out of gas.
Sir.
00:19:46.770 --> 00:19:50.105
That so. Where's your pop?
00:19:50.994 --> 00:19:52.737
He's waiting inside the bus.
00:19:53.423 --> 00:19:55.437
He's missing his legs
'cause of the war.
00:19:55.480 --> 00:19:56.809
[woman screaming]
00:19:56.851 --> 00:20:00.267
You fuckin' bitch you ever slap me
in the face again you're a wasted piece of shit.
00:20:00.438 --> 00:20:06.121
Out of the vehicle fuckfaces or I fuckin' blow
your fuckin' brains all over the fuckin' car. Move!
00:20:06.779 --> 00:20:09.164
[gunshot—and oil trickles
from the bullet hole]
00:20:09.813 --> 00:20:13.395
Okay. Just take it easy—
take it easy, punk.
00:20:13.973 --> 00:20:15.661
– Move!
– Okay!
00:20:16.176 --> 00:20:17.474
Agh—agh!
00:20:18.318 --> 00:20:21.151
You fuckin' idiot, Chester,
kill the fuckin' bitch!
00:20:21.194 --> 00:20:23.236
Ah, fuck you, Harold, don't ever
call me a fuckin' idiot!
00:20:23.608 --> 00:20:24.834
Hey—move!
00:20:24.896 --> 00:20:26.193
– Come on—
– Hey!
00:20:26.704 --> 00:20:28.020
Why you—fuckin'—
00:20:29.208 --> 00:20:30.601
– Ha!
– Get over there.
00:20:33.983 --> 00:20:37.417
You bullies—we're gonna
get you for this.
00:20:37.646 --> 00:20:38.939
– Move it, punk.
– Go!
00:20:39.234 --> 00:20:42.678
What are we gonna do, Chester,
[drowned out by PHIL and MARLOWE yelling]
00:20:43.079 --> 00:20:46.065
PHIL: That was our first
encounter with disco mutants.
00:20:46.685 --> 00:20:48.517
I was sure it wouldn't be our last.
00:20:48.612 --> 00:20:49.599
– Move it!
– Go!
00:20:55.185 --> 00:20:59.263
Well! Hello sweetheart!
00:21:04.754 --> 00:21:06.189
Let me get you loose, here.
00:21:07.434 --> 00:21:10.740
Go ahead and try
to rip me, man. Just try!
00:21:14.885 --> 00:21:19.307
Don't get your kisser in an uproar, ma'am.
Just wanna get you loose. Just wanna—
00:21:21.453 --> 00:21:22.417
Ma'am.
00:21:24.582 --> 00:21:27.497
Ma'am, just let me get you loose.
00:21:28.842 --> 00:21:31.695
What's your name? Huh?
00:21:35.005 --> 00:21:35.806
Mars.
00:21:40.004 --> 00:21:41.010
Rusty Mars.
00:21:43.090 --> 00:21:45.036
Just exactly what was
goin' on here, anyway?
00:21:46.181 --> 00:21:47.927
Phil! Touch an eye!
00:21:49.124 --> 00:21:50.622
C'mon, jeez.
00:21:54.967 --> 00:21:57.004
[car clicks and stutters
and fails to start]
00:21:58.984 --> 00:22:01.131
– Oh—get outta here—
– What, it ain't my fault—
00:22:01.173 --> 00:22:04.508
– It wasn't your fault if you hadn't
blown up our gas supply—
– Don't start on me again—
00:22:04.550 --> 00:22:07.341
Come on you guys!
Let's take foot truck to Edge City.
00:22:09.873 --> 00:22:11.414
– Foot truck?
– Yes.
00:22:15.321 --> 00:22:18.450
So, Miss Mars, uh, you were
sayin' you knew Miles?
00:22:19.757 --> 00:22:21.879
Yeah, I know her.
She's a New Wave Punk,
00:22:22.743 --> 00:22:25.161
and the rap is, she's into
a heavy power trip.
00:22:26.063 --> 00:22:27.804
I'd stay away from her
if I was you.
00:22:28.133 --> 00:22:31.000
What about you cats?
What's your head trip?
00:22:31.233 --> 00:22:33.848
We're private eyes, Rusty.
Couple a' big-time dicks!
00:22:33.890 --> 00:22:35.847
– You're sure a big dick, alright.
– Thanks!
00:22:35.889 --> 00:22:39.318
Oh, I wish you'd just quit it.
Just quit it, alright?!
00:22:39.877 --> 00:22:40.706
Quit what?!
00:22:43.735 --> 00:22:48.057
Be a little more professional, huh?
Sure “Marlowe” wouldn't act this way.
00:22:45.782 --> 00:22:47.547
What's got him so bothered?
00:22:48.348 --> 00:22:49.750
Ah, I don't know.
00:22:49.936 --> 00:22:52.474
You and Phil go on ahead—
I'll catch up.
00:22:54.768 --> 00:22:55.589
Hey Phil.
00:22:56.381 --> 00:22:57.979
You wanna take a walk, man?
00:23:02.348 --> 00:23:03.521
Oh, shit.
00:23:06.464 --> 00:23:08.864
Look, Rusty, I'm…
I'm sorry, okay?
00:23:11.067 --> 00:23:13.293
Like, my past, you know?
00:23:16.367 --> 00:23:17.001
Agh…
00:23:19.396 --> 00:23:21.266
– That's where I used to live.
– Really?
00:23:22.181 --> 00:23:22.735
Who's that?
00:23:24.724 --> 00:23:25.525
My mom.
00:23:28.840 --> 00:23:30.076
Like, you've got any pictures?
00:23:31.044 --> 00:23:31.750
Nah.
00:23:33.782 --> 00:23:35.771
Sure you do. Where's your wallet?
00:23:36.620 --> 00:23:39.883
– Come on—
– No, you come on, man,
let me look at your pictures—
00:23:45.874 --> 00:23:47.190
Let's just skip it, okay?
00:23:51.092 --> 00:23:52.032
Yeah, sure.
00:23:54.355 --> 00:23:56.735
Come on, you guys, pick it up,
it's getting dark out.
00:23:57.346 --> 00:23:58.700
Well why can't you be out at night?
00:23:58.905 --> 00:24:02.351
Because, man, the radiation
made some pretty freaky lookin' creatures
00:24:02.393 --> 00:24:04.439
that like to roam around at night.
00:24:04.954 --> 00:24:09.151
– Creatures—what creatures?
– Come on. Oh, Marlowe…
00:24:09.194 --> 00:24:10.835
PHIL: We finally made it to Edge City.
00:24:12.266 --> 00:24:14.107
This is where my yarn turns grim.
00:24:15.467 --> 00:24:18.396
Rusty warned me that the city
was mean and evil.
00:24:18.639 --> 00:24:22.431
That it had a tendency to
make good folks bad, or dead.
00:24:23.940 --> 00:24:26.254
I was about to find out
that bein' private eyes,
00:24:26.296 --> 00:24:28.545
or finding the guys who
ditched us in the shelter
00:24:28.587 --> 00:24:30.240
was just not that important.
00:24:31.064 --> 00:24:33.064
What was really at stake
was me and Marlowe.
00:24:34.124 --> 00:24:36.405
About the type of guys we'd be
when this was all over.
00:24:36.501 --> 00:24:37.114
Rusty!
00:24:38.455 --> 00:24:40.355
You really think you can
help us find our pops?
00:24:41.691 --> 00:24:43.510
– You mean Hammer and Chandler?
– Yeah.
00:24:45.163 --> 00:24:47.394
Yeah, man, I can help you find 'em.
00:24:49.077 --> 00:24:51.243
Come on, you Turks, we gotta truck.
00:24:51.725 --> 00:24:54.087
It's not safe to be
outside the city at night, man.
00:24:54.385 --> 00:24:56.460
At night?
What about the day?
00:24:56.503 --> 00:24:58.969
♪ Phil's got keys in his pocket
and he's ready to roll ♪
00:24:59.011 --> 00:25:01.416
♪ He's got the whole Edge rockin'
and he's losin' control ♪
00:25:01.458 --> 00:25:04.033
♪ He's got his finger on the trigger
and he's ready to fire ♪
00:25:04.075 --> 00:25:06.690
♪ He's got a feelin' that he's
walkin' on a high wire ♪
00:25:06.733 --> 00:25:10.080
♪ He's tickin' like a bomb
that's ready to blow [fading] ♪
00:25:13.305 --> 00:25:16.616
Hey, look what the rat dragged in.
00:25:20.335 --> 00:25:23.636
You must be gettin' real hard up, Rusty.
00:25:34.398 --> 00:25:38.041
Phil! Are you okay?
Are you okay?
00:25:38.775 --> 00:25:40.553
You're so funny, honey.
00:25:44.618 --> 00:25:46.351
You better watch your karma, Brick.
00:25:47.271 --> 00:25:48.899
I'm gonna have to come rip your ass.
00:25:49.105 --> 00:25:51.386
– Yeah?
– Yeah.
00:25:52.110 --> 00:25:56.551
You try that and I'll have to pound your butt—
just like I used to.
00:25:57.657 --> 00:26:00.928
Hey—you can't talk to her
that way. No—
00:26:02.219 --> 00:26:03.711
You wanna make something of it, dick?
00:26:03.731 --> 00:26:04.872
I wouldn't.
00:26:07.811 --> 00:26:10.328
– Nobody move.
– Back off.
00:26:11.253 --> 00:26:14.288
Cool it, Rusty. Cool it.
00:26:14.810 --> 00:26:16.383
I mean, we're old friends, right?
00:26:18.081 --> 00:26:20.548
Yeah. Old friends.
00:26:22.965 --> 00:26:23.794
Later.
00:26:25.929 --> 00:26:27.075
Alligator.
00:26:30.642 --> 00:26:32.522
VOICE: Yo Brick. Phone call.
00:26:37.652 --> 00:26:38.390
Who is it?
00:26:38.812 --> 00:26:39.953
VOICE: Miles Archer.
00:26:40.280 --> 00:26:41.678
Miles Archer, huh?
00:26:46.907 --> 00:26:49.841
Don't let those cats get to you, Phil.
Just a little unfriendly.
00:26:50.027 --> 00:26:52.801
– Yeah, I'll say.
– Yeah, well who were those creeps, anyway?
00:26:53.142 --> 00:26:53.906
Greasers.
00:26:56.066 --> 00:26:58.755
Come on man, I'll show you my scene.
00:27:01.111 --> 00:27:05.010
[low drones, tinkling bells, and wind-chimes]
00:27:13.267 --> 00:27:18.634
[bouncy rock music bursts through the ambience]
00:27:24.278 --> 00:27:29.940
♪ A burst of flying air
And seconds later, you were not there ♪
00:27:29.982 --> 00:27:35.534
♪ It's not so strange
And if we stick together, we'll stay sane ♪
00:27:41.162 --> 00:27:46.568
♪ Hoping all is well
It's lonely, cold, and maybe this is hell ♪
00:27:46.610 --> 00:27:51.990
♪ Or is it just a dream?
A hallucination coming over me? ♪
00:27:53.536 --> 00:27:57.552
♪ I feel it stronger now
it's reaching far out [fading into crowd] ♪
00:27:58.277 --> 00:28:01.244
PHIL: The Red Onion turned out to be
a pretty swanky gin mill.
00:28:02.274 --> 00:28:06.825
Doorman seemed a bit edgy,
but Rusty got us in.
00:28:07.722 --> 00:28:09.992
She seemed to have some
pull around here, or something.
00:28:11.194 --> 00:28:14.228
Zowieee! Whoo-hoo!
Look at all this! Look at this!
00:28:15.105 --> 00:28:16.504
– WOMAN: Fuck off.
– Oh my God, Phil!
00:28:16.546 --> 00:28:19.093
VOICE: Hey Rusty, Sternwood wants to see you.
00:28:19.398 --> 00:28:20.467
RUSTY: Alright.
00:28:24.769 --> 00:28:27.240
Why don't you wait here.
I'll be back in a second.
00:28:30.303 --> 00:28:32.058
VOICE UPSTAIRS: WHERE ARE THE KEYS?!
00:28:32.182 --> 00:28:36.208
– Hey—Marlowe.
– Huh? What?
00:28:36.761 --> 00:28:40.329
– Phil, what? Aah?
– Whatdya think's going on up there?
00:28:40.682 --> 00:28:42.867
– Where?
– Huh?
– Yeah, sure.
00:28:50.279 --> 00:28:51.691
Nice joint!
00:28:53.065 --> 00:28:54.577
Fuck off, nerd!
00:28:55.250 --> 00:28:56.810
Yeah, sure!
00:28:56.852 --> 00:29:00.325
– Uh, label's Marlowe, I'm a dick—
– No shit!
00:29:02.071 --> 00:29:05.400
– Fuck you!
– Yeah! See you round!
00:29:06.077 --> 00:29:07.127
Funny dogs!
00:29:07.432 --> 00:29:09.149
How you doin'! Ha ha!
00:29:12.450 --> 00:29:15.579
Marlowe, folks seem sorta
stuck up around here, don't they?
00:29:16.285 --> 00:29:20.197
Nah—nah, just, just gotta be
a little more friendly.
00:29:22.629 --> 00:29:26.407
Watch. I'll have 'em swoonin', and moonin'.
00:29:28.248 --> 00:29:29.880
Gangway!
00:29:36.090 --> 00:29:37.865
I could keep dancin' all night!
00:29:46.460 --> 00:29:47.395
Hey doll!
00:29:50.047 --> 00:29:51.287
[slap! cuts the music]
00:29:53.911 --> 00:29:55.475
Swoonin' and moonin', huh?
00:30:04.195 --> 00:30:05.664
Hey. Hi.
00:30:14.746 --> 00:30:16.625
See! I told you!
00:30:17.255 --> 00:30:20.113
– Delayed reaction is all. Ha-ha!
– Yeah, no kidding.
00:30:20.155 --> 00:30:22.922
– Can I be your chick, man?
– Yeah, sure!
00:30:23.275 --> 00:30:28.092
– Hey, chick, dog, cow, pig, whatever, ha-ha!
– Far out…
00:30:31.613 --> 00:30:34.847
– This dick's fresh meat.
– Yeah, I'm a big dick!
00:30:35.114 --> 00:30:37.537
– Hey, Marlowe.
– Whaaat?
00:30:37.785 --> 00:30:38.586
Watch your step.
00:30:40.437 --> 00:30:42.679
Yeah, sure, come on, man.
00:30:43.766 --> 00:30:49.958
[loud kissing]
♪ Gonna eat you, eat you alive (×2) ♪
00:30:51.112 --> 00:30:53.297
[incomprehensible 1940s speak]
00:30:54.604 --> 00:30:57.151
– Like, your friend is freaky, you know?
– Yeah.
00:30:58.429 --> 00:31:02.188
Man, it must've been pretty trippy
being shacked up with him all those years.
00:31:02.827 --> 00:31:05.117
Nah. Wasn't that bad.
00:31:07.645 --> 00:31:10.555
So whatdya think of this place?
Pretty wild, huh?
00:31:11.728 --> 00:31:14.256
– Yeah.
– VOICE UPSTAIRS: You wanna fuck with me?
– In fact.
00:31:15.325 --> 00:31:17.109
But your people don't seem to be too friendly.
00:31:18.215 --> 00:31:21.840
It's nothing, man.
Just 'cause you're new, you know.
00:31:22.518 --> 00:31:25.122
They'll get used to you. Like I did.
00:31:29.997 --> 00:31:31.314
You like?
00:31:32.335 --> 00:31:37.743
Yeah. Nice.
[PHIL chokes a sigh]
00:31:39.804 --> 00:31:40.682
But what?
00:31:43.343 --> 00:31:45.604
Doesn't anyone ever wear dresses around here?
00:31:46.606 --> 00:31:47.980
Well, maybe some day.
00:31:51.471 --> 00:31:54.658
Come on man. I got this groovy pad out back.
00:31:55.240 --> 00:31:57.157
Let's blow this scene and make our own.
00:31:57.510 --> 00:32:06.035
♪ You're comin' with me and you'll never survive
Gonna eat you, eat you alive (×2) ♪
00:32:06.077 --> 00:32:10.561
♪ You're gonna love it, but you're gonna die
Gonna eat you— ♪
00:32:12.593 --> 00:32:13.728
Dresses.
00:32:15.941 --> 00:32:16.829
You like?
00:32:17.477 --> 00:32:18.355
Yeah.
00:32:21.799 --> 00:32:23.402
Maybe I'll put it on for you later.
00:32:25.481 --> 00:32:27.761
Right now I don't feel like
putting anything on, you dig?
00:32:28.076 --> 00:32:39.162
[ethereal organ music]
00:32:40.507 --> 00:32:44.342
Oh… what is it about these keys, huh Rusty?
00:32:45.305 --> 00:32:49.589
– I mean, seems like half the world's
gone crazy over them or something—
– Phil?
00:32:50.924 --> 00:32:52.479
– What?
– Shut up.
00:32:53.805 --> 00:32:59.816
– What, am I—am I yappin' too much?
– Yes. Shhh.
00:33:06.751 --> 00:33:09.918
– Don't be nervous.
– I'm not nervous [voice quakes].
00:33:10.968 --> 00:33:13.267
– You don't have to be.
– What're you doin', Rusty?
00:33:13.372 --> 00:33:15.309
I'm gonna take your clothes off now.
00:33:17.369 --> 00:33:19.039
You gonna take your clothes off?
00:33:21.567 --> 00:33:22.864
Yes.
00:33:31.746 --> 00:33:33.749
RUSTY: Come on.
00:33:34.398 --> 00:33:37.317
Gosh Rusty, guess I am kinda nervous.
00:33:38.510 --> 00:33:40.284
There's no reason to be nervous, Phil.
00:33:46.037 --> 00:33:49.586
– It's okay.
– Yeah.
00:33:54.289 --> 00:33:57.275
– What're you doin'—
– I'm gonna take your pants off now.
What—
00:33:58.072 --> 00:34:02.934
[zipper unzips; PHIL delicately gasps]
00:34:08.055 --> 00:34:12.958
– Jeepers, Rusty. Don't you wanna
kiss me first or somethin'?
– Uh-uh.
00:34:13.378 --> 00:34:24.750
[gentle organ music, like starlight]
00:34:31.361 --> 00:34:36.131
– Just relax a little. It's okay.
– Okay.
– Okay.
00:34:39.537 --> 00:34:41.435
Oh, Phil…
00:34:44.164 --> 00:34:46.335
What? What?
00:34:46.377 --> 00:34:47.522
Just lie back.
00:34:47.846 --> 00:34:52.622
[organ music slips away to sinister drones and piano]
00:34:52.664 --> 00:34:55.755
– What're you doin', Rusty?
– It's okay, Phil.
00:34:57.300 --> 00:35:01.675
Jeepers, I'm not that swift with
this kinda romancin', Rusty.
00:35:01.717 --> 00:35:04.341
– Just relax.
– I trust ya…
00:35:06.506 --> 00:35:08.840
Phil there's something I gotta tell you. Before Stern—
00:35:08.882 --> 00:35:10.599
VOICE: Before what, Rusty?
00:35:13.318 --> 00:35:17.382
– Hi babe. Good work.
PHIL: Hey look, hey, we weren't doin' nothin'—
00:35:18.746 --> 00:35:20.042
PHIL: Hey mister?
00:35:21.264 --> 00:35:23.754
Hey, listen. Listen mister, this—
00:35:24.355 --> 00:35:27.252
this ain't what it seems,
my intentions were absolutely honourable, I—
00:35:27.294 --> 00:35:28.687
Shut up, Porky.
00:35:29.993 --> 00:35:32.073
– Label's Phillip, sir.
– Hey.
00:35:33.552 --> 00:35:34.884
Don't you hear me rappin', man?
00:35:34.926 --> 00:35:38.226
RUSTY: Take it easy, Sternwood.
00:35:39.180 --> 00:35:42.395
Watch it babe, or I'll think
you gone pig on us.
00:35:42.844 --> 00:35:47.871
Hey, check out the rags for the keys.
[chuckle]
00:35:49.846 --> 00:35:52.925
Not you too, Rusty.
I thought I could trust you.
00:35:54.101 --> 00:35:59.148
STERNWOOD: Ooo, nice meat, huh. Very nice.
00:35:59.854 --> 00:36:02.868
– Cut it out, mister.
– Yeah. Ooh, yeah.
00:36:03.059 --> 00:36:05.835
We're gonna like this, yeah.
00:36:08.754 --> 00:36:11.011
PHIL: What's he doin', Rusty. Rusty—
00:36:11.053 --> 00:36:15.785
[screaming]
00:36:17.096 --> 00:36:18.609
No rad-contamination.
00:36:19.773 --> 00:36:22.921
His meat will score
the big bread at the market.
00:36:23.522 --> 00:36:24.301
Market—what market—
00:36:24.343 --> 00:36:27.372
Hey man, you spotted
all the meat in this city. Huh?
00:36:27.414 --> 00:36:30.664
Yeah, there's no animals alive any more.
00:36:30.706 --> 00:36:32.824
OINK OINK OINK OINK OINK!
00:36:33.177 --> 00:36:34.360
A-animals?
00:36:36.134 --> 00:36:37.441
Where'd you get all the meat?
00:36:38.643 --> 00:36:45.040
[breaking into laughter] That's right.
That's right! [sing-song] That's riiight!
00:36:45.082 --> 00:36:49.156
We're all cannibals. Cannibals. Cannibals!
00:36:49.337 --> 00:36:51.112
You kill me, Porky.
00:36:52.466 --> 00:36:55.824
– Rusty?
– [mocking] Rusty? Rusty?
00:36:56.196 --> 00:36:58.887
– Rusty?
– [mocking] Rusty? Rusty?
00:37:00.671 --> 00:37:01.672
[mocking] Rusty?!
00:37:03.275 --> 00:37:04.906
No keys, man.
00:37:06.853 --> 00:37:10.306
Oh, wow. Like, the keys aren't in the rags.
00:37:13.979 --> 00:37:16.980
Like, uh, where are they, Porky?
00:37:17.022 --> 00:37:18.516
First, tell me what they're for.
00:37:18.558 --> 00:37:21.764
– So he can blow up the world—
– Where are the keys, Porky?
00:37:23.605 --> 00:37:24.645
Altoona.
00:37:25.198 --> 00:37:26.724
Okay, smartass…
00:37:27.201 --> 00:37:30.245
YOU WANNA FUCK WITH ME? HUH?
00:37:31.351 --> 00:37:35.644
Groovy! Let's, like, uh,
try some heavy shit.
00:37:36.064 --> 00:37:38.173
On your friend.
00:37:40.052 --> 00:37:41.158
Marlowe.
00:37:42.589 --> 00:37:45.403
– What'd you do to him?
STERNWOOD: [chuckling] That kid's gettin' tenderised.
00:37:46.014 --> 00:37:51.089
– Wait—don't—stop—
– No, hey, hey, hey hey hey,
don't, don't weird out on me man.
00:37:52.034 --> 00:37:55.010
Just rap where the keys are,
00:37:56.107 --> 00:38:00.181
and I won't have to make burger patties
out of your friend.
00:38:00.667 --> 00:38:06.630
[PHIL sobbing, gurgling, sputtering]
00:38:06.945 --> 00:38:08.280
TELL HIM!
00:38:09.406 --> 00:38:10.560
Fuck this shit!
00:38:11.533 --> 00:38:13.184
Tell him where the keys are, Phil.
00:38:14.233 --> 00:38:17.173
And I promise you and Marlowe
will go free—I promise!
00:38:18.021 --> 00:38:18.898
Right?
00:38:19.404 --> 00:38:20.644
Uhhh…
00:38:21.197 --> 00:38:24.241
Yeah? Sure.
[PHIL gurgles]
00:38:24.727 --> 00:38:29.659
Uh, scout's honour.
[STERNWOOD chuckles; PHIL gasps]
00:38:29.841 --> 00:38:31.831
Just let me and Marlowe go, oh God—
00:38:31.873 --> 00:38:33.090
– Okay.
– —please—
00:38:33.132 --> 00:38:35.307
Like, I'll play along, Porky.
00:38:36.776 --> 00:38:40.048
But you fuck with us—[menacing breathing]
00:38:45.038 --> 00:38:45.954
Okay.
00:38:53.824 --> 00:38:55.245
Sorry about the keys.
00:39:02.944 --> 00:39:05.281
Okay, Porky. Where are they.
00:39:10.528 --> 00:39:13.457
[STERNWOOD growls like an angry dog]
00:39:21.461 --> 00:39:24.686
[STERNWOOD growls like a confused, but angry dog]
00:39:25.573 --> 00:39:26.451
[keys jangle]
00:39:28.883 --> 00:39:30.057
They were there the whole time.
00:39:33.052 --> 00:39:34.035
They were.
00:39:36.611 --> 00:39:38.147
Give 'em to me.
00:39:39.148 --> 00:39:40.425
Here!
00:39:44.624 --> 00:39:46.036
[gasping, grunting, and gunshots]
00:39:49.390 --> 00:39:54.223
[clattering and yelping;
hooting and hollering]
00:40:02.493 --> 00:40:07.005
[punchy beat starts up]
00:40:08.369 --> 00:40:09.962
Marlowe? Agh!
00:40:10.716 --> 00:40:13.864
– Marlowe?!
– PHIL! Phil!
00:40:14.437 --> 00:40:18.812
This lady and I been ballin' it.
We're havin' fun—wait,
I'm gonna introduce her. Sadie—
00:40:18.854 --> 00:40:19.970
[gun hammer clicks]
Freeze, Turk!
00:40:21.134 --> 00:40:22.049
Hand over the keys!
00:40:24.043 --> 00:40:26.272
Come on man, come on, let's blow,
let's go, let's get outta here, man.
00:40:26.314 --> 00:40:27.936
We're one step ahead
of the rest of the freaks.
00:40:28.212 --> 00:40:29.433
Who are ya?
00:40:29.824 --> 00:40:32.969
[sing-song] I'm your buddy, man!
Come on, let's go, let's go!
00:40:33.011 --> 00:40:37.319
– He's my buddy, Phil! My buddy!
– Yeah I'm your fuckin' buddy, let's go!
00:40:37.361 --> 00:40:39.637
– My buddy!
PHIL: No, Marlowe!
00:40:39.679 --> 00:40:41.721
– My buddy, Phil!
BRICK: Come on!
00:40:42.226 --> 00:40:44.983
– Safe!
PHIL: Marlowe, no!
00:40:58.683 --> 00:41:02.203
Let's take five, catch our breath.
00:41:03.205 --> 00:41:04.836
The next sprint's gonna be tough.
00:41:05.790 --> 00:41:08.667
We gotta make it through the ashtray district
before we'll be on safe turf.
00:41:08.709 --> 00:41:14.576
– Yeah, well let's get goin'—
– Hey! Relax. Right?
00:41:15.969 --> 00:41:20.997
Boy, daddio, you bums sure got
the Edge rockin' and rollin'.
00:41:21.474 --> 00:41:22.485
What do you mean?
00:41:23.763 --> 00:41:26.263
– Every gang's after you bums.
MARLOWE: Every gang?
00:41:26.539 --> 00:41:29.621
BRICK: Yeah, daddio,
and not just hoods from the Edge.
00:41:29.917 --> 00:41:34.057
Cats like Sternwood are comin' from
every city in the West lookin' for them keys.
00:41:34.362 --> 00:41:36.366
You bums are in some deep trouble.
00:41:36.843 --> 00:41:41.593
Check it out: I heard
they can make cities disappear.
00:41:42.481 --> 00:41:46.831
Hey, I say let 'em, it ain't
no sweat off my back, right [laughs].
00:41:47.260 --> 00:41:49.073
PHIL: But I bet you
want those keys too, huh?
00:41:49.540 --> 00:41:55.083
Naaah, what's Brick Bardo
gonna do with keys, right?
I ain't got a car [laughs].
00:41:55.837 --> 00:41:57.325
Then why'd you save our skins?
00:41:58.708 --> 00:41:59.862
I was paid to.
00:42:00.378 --> 00:42:01.503
By who, Bart?
00:42:02.476 --> 00:42:05.033
A South Side whore named Miles Archer.
00:42:06.645 --> 00:42:09.488
Miles? MILES ARCHER?
00:42:09.984 --> 00:42:10.967
PHIL!
00:42:11.205 --> 00:42:15.041
– You know Miles Archer?!
– Hey, I just told you
she paid me, you ding.
00:42:15.279 --> 00:42:18.032
She's waitin' for you in Rick's place,
it's over in the next district.
00:42:18.074 --> 00:42:18.885
Let's go!
00:42:20.087 --> 00:42:23.226
We'll go buddy, after you hand me them keys.
00:42:24.571 --> 00:42:27.004
MARLOWE: You said
you didn't want the keys, buddy—
BRICK: Yeah, I lied.
00:42:27.242 --> 00:42:29.818
BRICK: Now hand me the fuckin' keys,
I ain't got all night.
00:42:30.295 --> 00:42:31.716
[STERNWOOD snarls]
MARLOWE: Give him the keys—
00:42:33.518 --> 00:42:34.498
You tell me what they're for first
and then I'll give 'em to you.
00:42:34.540 --> 00:42:38.127
– Gimme the fuckin' keys, Phil,
or I blow his balls off.
– Give 'em! Give' em!
00:42:38.308 --> 00:42:40.493
Gimme the fuck—
[BRICK fires; MARLOWE screams]
00:42:41.571 --> 00:42:43.460
– Take it easy.
– Come on, pal.
00:42:47.840 --> 00:42:49.334
[BRICK laughs; the keys jangle]
00:42:50.571 --> 00:42:53.294
[screams]
00:42:53.336 --> 00:42:57.051
[screams and gunshots]
00:42:57.093 --> 00:42:58.635
Marlowe, come on!
00:42:58.677 --> 00:43:07.901
[screams, roars, and terrified hollering]
00:43:08.216 --> 00:43:09.828
[knife cutting into tough flesh]
00:43:11.009 --> 00:43:14.700
[STERNWOOD's last gasps]
00:43:14.713 --> 00:43:18.229
[music speeds up into
heavy, menacing drums and synths]
00:43:18.271 --> 00:43:19.731
[MARLOWE shrieks]
00:43:32.324 --> 00:43:38.114
♪ We had warnings of dark clouds forming ♪
00:43:38.639 --> 00:43:44.697
♪ Fear has brought me to my knees ♪
00:43:40.213 --> 00:43:41.148
Phil!
00:43:46.262 --> 00:43:51.957
♪ Memories haunt me, darkness wants me ♪
00:43:52.310 --> 00:43:56.631
♪ Someone wake me please ♪
00:43:56.641 --> 00:43:58.215
♪ It's a dream ♪
00:43:58.616 --> 00:44:01.541
♪ Nightmare
Like a child screaming ♪
00:44:01.583 --> 00:44:04.836
♪ Nightmare
They say he's only dreaming ♪
00:44:06.057 --> 00:44:09.119
♪ Is under the bed?
It is all in his head? ♪
00:44:09.224 --> 00:44:11.052
CHESTER: Fuckin' hold it right there.
00:44:11.094 --> 00:44:13.985
♪ Nightmare ♪
00:44:16.664 --> 00:44:28.733
[MARLOWE screams;
giant radioactive rat roars]
00:44:29.881 --> 00:44:40.487
[radioactive rat roar recedes;
music fades into uncertainty]
00:44:44.260 --> 00:44:48.349
Okay, dude, don't move
or I'll blow your god damn head off.
00:44:48.704 --> 00:44:51.598
– Now where are those little red keys?
– I don't have the keys!
00:44:51.904 --> 00:44:56.704
You hear me? Or do you
wanna be a dead dude, dude?
00:44:57.188 --> 00:45:06.706
[radioactive rat roar returns;
profanity and gunshots]
00:45:07.256 --> 00:45:08.300
Phil!
00:45:13.115 --> 00:45:15.818
Phil? Phil!
00:45:17.100 --> 00:45:18.349
Oh, shit.
00:45:20.503 --> 00:45:24.327
MARLOWE: Oh, oh… he lost me again.
00:45:29.410 --> 00:45:32.286
– Man, what's wrong with you?
– Just cool it, okay?
00:45:39.427 --> 00:45:40.396
Phil?
00:45:42.916 --> 00:45:45.813
Why'd you stop us from
zappin' those guys when we like had 'em?
00:45:46.912 --> 00:45:48.807
Hey—you givin' up?
00:46:00.741 --> 00:46:05.566
[mumbling] Huh? Oh—clothes? Clothes!
00:46:14.958 --> 00:46:16.659
[mumbling] These things'll cover me up.
00:46:31.921 --> 00:46:34.700
[mumbling] Mmm. Right.
00:46:37.327 --> 00:46:40.903
[door creaks loudly]
00:46:42.799 --> 00:46:44.662
WARPED VOICE: Well?
CHESTER: He won't tell us nothin'.
00:46:44.845 --> 00:46:49.617
WARPED VOICE: But what about the keys?
Pray, you did get them, didn't you?
00:46:49.659 --> 00:46:52.546
CHESTER: No, he didn't have 'em.
We searched the fucker inside out.
00:46:52.794 --> 00:46:55.692
WARPED VOICE: You little fool.
You said you had them.
00:46:55.734 --> 00:46:57.630
CHESTER: I know, I know,
I screwed up. Big deal.
00:46:57.672 --> 00:47:00.732
WARPED VOICE: You don't
seem to understand, Chester.
00:47:00.774 --> 00:47:05.827
This is not just another disco drug deal.
The world is at stake here.
00:47:05.869 --> 00:47:06.773
CHESTER: Alright, alright.
00:47:07.183 --> 00:47:11.846
WARPED VOICE: Now, you did say
there were two boys, did you not?
CHESTER: Yeah…
00:47:14.496 --> 00:47:17.867
[whispering] Phil! Phil! Phil!
00:47:26.644 --> 00:47:28.465
– Untie me!
– You okay?
– Yeah.
00:47:29.272 --> 00:47:36.619
– I was worried about ya.
– Shhh! Come on. Those punks!
00:47:40.754 --> 00:47:44.372
– Oh, Phil!
– Shhh! Come on.
00:47:48.336 --> 00:47:50.771
WARPED VOICE: He must be found immediately!
00:47:50.813 --> 00:47:53.722
CHESTER: Alright, alright, fuck!
The other boy must've had the keys.
00:47:53.764 --> 00:47:58.989
WARPED VOICE: If Miles Archer gets him into her video district,
we're all as good as dead.
00:47:59.031 --> 00:48:00.087
CHESTER: Alright, alright.
00:48:00.129 --> 00:48:01.239
PHIL: [whispering] Come on, Marlowe.
00:48:01.282 --> 00:48:05.009
WARPED VOICE: Miles will get the keys
and she'll launch the missile.
00:48:05.051 --> 00:48:05.934
[whispering] Come on.
00:48:08.692 --> 00:48:10.501
MARLOWE: Wait!
WARPED VOICE: That sound—
00:48:11.890 --> 00:48:17.217
[gunshots and angry disco mutant swearing]
00:48:27.227 --> 00:48:31.578
[whispering] Come on, follow.
This way. Just follow me.
00:48:32.795 --> 00:48:35.877
Come on, we gotta get outta this city, Marlowe.
Everybody's tryin' to kill us.
00:48:35.919 --> 00:48:38.525
– Nah, we just gotta find Miles.
– Miles?!
00:48:38.816 --> 00:48:40.442
Yeah, she'll know what to do!
00:48:40.539 --> 00:48:43.706
– How do you know
she's not out to get us, huh?
– She's a right peach, Phil.
00:48:44.126 --> 00:48:48.671
No reason to trust her. Maybe she, maybe she's
just gonna blow up the world, too, huh?
00:48:48.822 --> 00:48:52.721
No, no, don't you remember how it started?
Those mutants that were tryin' to hurt her?
00:48:52.763 --> 00:48:55.434
They're the ones that wanna
blow up the world. Not Miles.
00:48:57.416 --> 00:48:58.267
Marlowe!
00:48:59.775 --> 00:49:00.970
MARLOWE: That you, Miles?
00:49:03.921 --> 00:49:05.645
It's Miles! Phil!
00:49:06.291 --> 00:49:08.952
Miles, where you been!
I missed ya!
00:49:08.994 --> 00:49:11.525
You were at the—at the phone booth
an' everything, we missed ya—
00:49:12.624 --> 00:49:14.442
– Phil? Phil, Miles? Remember?
– Yeah, I remember.
00:49:14.466 --> 00:49:15.424
MILES: We'll talk later.
00:49:15.903 --> 00:49:17.815
PHIL: What?
MILES: Let's go.
MARLOWE: Miles!
00:49:18.719 --> 00:49:20.875
– Yeah, well how about
some answers first, Miles.
– It's Miles!
00:49:20.917 --> 00:49:23.233
– I mean, people are tryin'
to kill us 'cause of you.
– Get in here!
00:49:24.245 --> 00:49:26.625
– Well, at least tell me
where we're goin', Miles.
00:49:28.058 --> 00:49:31.159
So, Miles, you wanna know
what we been doin', Miles?
00:49:32.129 --> 00:49:35.198
Well we been lookin' for you,
but this guy Bart, um…
00:49:36.353 --> 00:49:41.574
[frustrated passions play out on the synthesiser]
00:49:42.453 --> 00:49:44.135
Oh, Phil…
00:50:21.139 --> 00:50:25.865
♪ Whoa, whoa-oh, whoa ♪
00:50:29.144 --> 00:50:35.689
♪ Guilty pleasures
Standing just outside my door ♪
00:50:36.208 --> 00:50:43.614
♪ Drastic measures
Things I've never done before ♪
00:50:43.656 --> 00:50:50.448
♪ Ooo it will be sheer delight, I know ♪
00:50:51.166 --> 00:50:56.300
♪ When I make you mine tonight ♪
00:50:56.387 --> 00:50:57.661
THUG: Okay, here we go.
00:50:59.430 --> 00:51:02.053
♪ Guilty pleasures ♪
00:51:07.496 --> 00:51:14.536
♪ Minds exciting
Oh, you're such a troubled guest ♪
00:51:15.018 --> 00:51:22.380
♪ So inviting
I'm on the edge of heat, distressed ♪
00:51:22.924 --> 00:51:29.592
♪ Oh, you'll treat me bad tonight, oh yeah ♪
00:51:29.944 --> 00:51:34.113
♪ Turn my dreams to real life [fading] ♪
00:51:34.810 --> 00:51:37.660
Why don't you go on in
and take it easy,
00:51:39.325 --> 00:51:41.124
while I slip into something
00:51:42.675 --> 00:51:44.214
more comfortable.
00:51:45.265 --> 00:51:51.726
♪ Guilty pleasures
Open up, open up, I want more ♪
00:51:53.869 --> 00:51:57.614
♪ Angels are dancing through my head ♪
00:52:00.901 --> 00:52:06.155
♪ Going places I have never, never been ♪
00:52:06.540 --> 00:52:09.463
Look at this. A real sweet peach.
[revolver clicks]
00:52:09.557 --> 00:52:18.754
♪ No, I can't fight it
Oooh, it feels so right ♪
00:52:24.507 --> 00:52:26.254
Somethin' queer goin' on here.
00:52:28.710 --> 00:52:30.280
Somethin' really queer.
00:52:39.696 --> 00:52:42.556
You're good already Miles.
You got the keys yet?
00:52:43.306 --> 00:52:50.619
♪ Baited treasures
Well, maybe this time I've gone too far ♪
00:52:51.379 --> 00:52:57.621
♪ Oooh, you'll treat me bad tonight, oh yeah ♪
00:52:58.328 --> 00:53:03.915
♪ Turn my dreams to real life ♪
00:53:06.557 --> 00:53:09.376
♪ Guilty pleasures ♪
00:53:13.538 --> 00:53:17.179
♪ Guilty pleasures ♪
[air raid sirens begin to wail]
00:53:17.474 --> 00:53:20.703
[atomic bomb thunder crash
while air raid sirens wail]
00:53:53.847 --> 00:53:56.074
[bomb shelter doors crash shut]
00:53:57.373 --> 00:54:00.107
Oh my God, them keys
can launch a nuclear missile.
00:54:00.429 --> 00:54:03.943
See, Marlowe, I was right.
Miles wants to blow up the world, too.
00:54:04.970 --> 00:54:06.714
Gotta get outta here
before it's too late.
00:54:08.879 --> 00:54:10.426
It is too late, Phil.
00:54:12.850 --> 00:54:15.654
I'm gonna blow your head off
unless I get those keys.
00:54:15.696 --> 00:54:17.366
[whimpering] So, what does this mean, Miles?
00:54:18.146 --> 00:54:19.544
You don't love me no more?
00:54:22.352 --> 00:54:23.329
Oh shit.
00:54:33.474 --> 00:54:37.631
– Come on, Marlowe—come on—come on!
– Okay! Okay.
00:54:37.866 --> 00:54:44.819
[flailing and hollering and gunshots galore]
Hurry, Phil! Hurry!
00:54:48.283 --> 00:54:49.199
Go, hurry!
00:54:56.906 --> 00:54:58.101
Duck, Phil, duck!
00:54:58.143 --> 00:55:03.933
♪ Oooh, it will be sheer delight, I know ♪
00:55:04.676 --> 00:55:09.983
♪ When I make you mine tonight ♪
00:55:12.829 --> 00:55:15.625
♪ Guilty pleasures ♪
00:55:21.489 --> 00:55:28.083
♪ Minds exciting
Oh, you're such a troubled guest ♪
00:55:28.281 --> 00:55:36.063
♪ But so inviting
I'm on the edge of heat, distressed ♪
00:55:33.613 --> 00:55:35.036
[discordant cymbals]
00:55:36.397 --> 00:55:42.954
♪ Ooo, you'll treat me bad tonight, oh yeah ♪
00:55:43.486 --> 00:55:48.806
♪ Turn my dreams to real life ♪
00:55:49.647 --> 00:55:53.838
[roaring, booing, furious crowd]
00:55:51.750 --> 00:55:54.113
♪ Guilty pleasures ♪
00:55:58.679 --> 00:56:02.539
♪ Guilty pleasures ♪
00:56:05.755 --> 00:56:12.263
♪ Guilty pleasures
Knocking on my front door ♪
00:56:12.696 --> 00:56:19.537
♪ Guilty pleasures
Open up, open up, I want more ♪
00:56:19.970 --> 00:56:24.536
♪ Guilty pleasures ♪
00:56:26.960 --> 00:56:30.091
♪ Guilty pleasures ♪
00:56:32.664 --> 00:56:35.831
♪ Whoa-oh, guilty pleasures ♪
00:56:42.611 --> 00:56:51.630
[sirens and chanting crowd fade away]
00:56:52.100 --> 00:56:55.972
PHIL: Like Philip Marlowe,
we now saw the world for what it was:
00:56:57.049 --> 00:56:58.434
Cold and bitter.
00:57:00.315 --> 00:57:04.435
Sad thing was, me and Marlowe'd
become infected by the disease.
00:57:05.449 --> 00:57:08.735
We was angry and vengeful
and all we wanted to do was
to get back at the world,
00:57:08.777 --> 00:57:10.695
to make 'em all pay
for what they'd done to us.
00:57:11.969 --> 00:57:14.369
We'd slipped over the edge into the dark side,
00:57:15.149 --> 00:57:19.491
where the Rusty Mars
and the Miles Archers
of this world wallowed.
00:57:20.926 --> 00:57:22.361
We wasn't kids no more,
00:57:23.487 --> 00:57:25.311
and oh would the world be sorry.
00:57:38.519 --> 00:57:39.558
We can't ever let 'em—
00:57:40.832 --> 00:57:43.443
we can't ever let those creeps
blow up the world again.
00:57:46.944 --> 00:57:49.604
They ain't never gonna get these keys.
00:57:50.631 --> 00:57:54.182
Right… right!
00:57:57.064 --> 00:57:58.475
It's you and me.
00:58:05.601 --> 00:58:06.986
We are the bait.
00:58:10.710 --> 00:58:12.306
Swell.
00:58:16.550 --> 00:58:17.935
I love it.
00:58:23.911 --> 00:58:25.396
No more yakkin'.
00:58:27.016 --> 00:58:28.575
No more high times.
00:58:32.398 --> 00:58:33.549
No more nothin'.
00:58:38.262 --> 00:58:41.417
[revolver clicks,
firing off tragic synths]
00:58:42.073 --> 00:58:43.161
Ditto.
00:59:02.568 --> 00:59:04.184
[thunder crash]
00:59:05.295 --> 00:59:10.924
♪ Turned around and faced myself
For the first time in my life ♪
00:59:11.852 --> 00:59:15.774
♪ I was running through the maze
of an endless darkness ♪
00:59:16.548 --> 00:59:18.520
♪ Just trying to survive ♪
00:59:19.027 --> 00:59:25.592
♪ And if I had you here beside me
I would never let you go ♪
00:59:25.634 --> 00:59:31.090
Oh—
[synths quiver and fade]
00:59:33.638 --> 00:59:35.704
Drop the fuckin' gun, dig?
00:59:36.793 --> 00:59:38.847
– Little assholes.
– Why you—
00:59:40.294 --> 00:59:43.004
Where the fuck are the fuckin' keys?
00:59:44.266 --> 00:59:48.373
Like I lost them man, really!
I was trying to square their trail too!
00:59:53.507 --> 00:59:55.289
Let's fuckin' waste her.
00:59:57.355 --> 00:59:58.666
[two gunshots]
00:59:58.802 --> 01:00:03.702
♪ On the edge of a broken dream
I heard your footsteps in the night ♪
01:00:04.495 --> 01:00:08.049
♪ I was running through the maze
of an endless darkness ♪
01:00:08.239 --> 01:00:10.554
♪ And they stood in the light ♪
01:00:11.118 --> 01:00:14.150
♪ Like a white knight
riding on a breathless horse ♪
01:00:14.192 --> 01:00:17.133
♪ You came and saved me from my fears ♪
01:00:17.509 --> 01:00:25.201
♪ But as you turned away and left me
I saw the truth behind my tears ♪
01:00:25.577 --> 01:00:31.925
♪ You turn away and leave me here
Where I've been standing all my life ♪
01:00:28.050 --> 01:00:28.903
Rusty: Phil!
01:00:32.390 --> 01:00:39.674
♪ After giving me a reason to find love ♪
01:00:41.352 --> 01:00:42.823
[revolver hammer clicks]
01:00:43.346 --> 01:00:44.453
Oh, no.
01:00:47.225 --> 01:00:48.745
Please, please.
01:00:50.022 --> 01:00:51.080
[hammer slams on an empty chamber]
01:00:55.153 --> 01:00:56.600
Come on, Phil.
[hammer clicks again]
01:00:59.700 --> 01:01:00.539
Come on.
01:01:01.512 --> 01:01:03.081
We got garbage to clean up.
01:01:04.515 --> 01:01:05.209
Phil!
01:01:07.409 --> 01:01:09.270
I'm sorry about the meat locker.
01:01:10.279 --> 01:01:12.492
– And I'm sorry about all the lies I told you—
– Save it, baby.
01:01:14.802 --> 01:01:17.234
That was a million years ago
and I got a short memory.
01:01:19.775 --> 01:01:21.320
In fact, I don't even remember who you are.
01:01:25.454 --> 01:01:26.366
But why'd you save me?
01:01:27.314 --> 01:01:28.907
– I mean after what I did to you—
– Look!
01:01:29.235 --> 01:01:30.767
We don't got time for this, okay?
01:01:31.631 --> 01:01:33.053
We're on the clock, sister.
01:01:33.418 --> 01:01:36.920
This is his time to clear the board,
win the game, chambers loaded, hammers cocked.
01:01:37.297 --> 01:01:40.616
Y'know our fingers are itchin'
like a cat with a serious case of fleas.
01:01:42.951 --> 01:01:43.924
Come on, pal.
01:01:44.848 --> 01:01:47.328
Let's push muscle. Come on!
01:01:50.246 --> 01:01:51.170
Phil, wait!
01:01:53.165 --> 01:01:54.757
Like, please, Phil!
01:01:58.308 --> 01:02:01.323
– Phil, wait!
– Look, dress or no dress,
you ain't gettin' no second chance, baby.
01:02:08.035 --> 01:02:10.467
Man, don't you see why
I had to rip you off?
01:02:10.686 --> 01:02:12.237
It's like the world we live in, man,
01:02:12.279 --> 01:02:15.331
– it's dog eat dog!
– And man eat man, don't they?
01:02:16.498 --> 01:02:17.337
Phil!
01:02:19.441 --> 01:02:20.632
Damnit, Rusty!
01:02:21.423 --> 01:02:25.143
You double-crossed me.
I saved your skin, so just beat it, Rusty!
01:02:26.007 --> 01:02:28.305
I don't ever wanna see
your double-crossin' face again.
01:02:28.451 --> 01:02:30.664
This stick ain't playin' the sap no more.
01:02:31.892 --> 01:02:35.710
– Phil, just let me do somethin'—
– Just shut up and crawl away?
01:02:36.780 --> 01:02:39.625
[sobbing] You have no idea
what it took to get here!
01:02:39.966 --> 01:02:42.969
Fifteen years of murder and rape!
01:02:48.720 --> 01:02:51.572
And I did anything
I could to survive—anything—
01:02:51.614 --> 01:02:53.888
and don't gotta apologise to nobody.
01:02:55.225 --> 01:02:56.113
You dig?
01:03:04.892 --> 01:03:09.340
[RUSTY sobs]
01:03:10.534 --> 01:03:12.358
You wanna know
the saddest thing, Rusty?
01:03:15.495 --> 01:03:18.316
Me and Marlowe used to be
a couple swell, decent Joes.
01:03:22.742 --> 01:03:24.821
Now we're carryin'
so much hate and jade,
01:03:29.296 --> 01:03:30.609
we're not much better than you.
01:03:41.483 --> 01:03:45.352
[sobbing] They'll kill you, Phil!
01:03:48.065 --> 01:03:50.392
[PHIL strikes a match sharply]
01:03:56.581 --> 01:03:58.076
Yeah, well I'd like to see 'em try.
01:04:02.831 --> 01:04:13.665
[music hammers down like rain]
01:04:22.602 --> 01:04:29.460
♪ She's on the make, she's got what it takes
She's getting what she's after ♪
01:04:30.323 --> 01:04:37.874
♪ She'll never lose, she's got so many moves
She'll turn your heart to ashes ♪
01:04:39.381 --> 01:04:41.212
♪ In a blaze of flashing light ♪
01:04:41.254 --> 01:04:48.848
♪ She's a fire,
raging out of control ♪
01:04:48.890 --> 01:04:55.322
♪ She's a fire,
She'll burn you to your— ♪
01:04:55.565 --> 01:05:02.897
♪ They stop and stare, but she don't care
There's evil in her eyes ♪
01:05:03.262 --> 01:05:10.339
♪ She's got the power, she wants control
She'll cut you down to size ♪
01:05:12.199 --> 01:05:16.048
♪ In a blaze of flashing light
Hear the sirens in the night ♪
01:05:16.090 --> 01:05:23.599
♪ She's a fire,
raging out of control ♪
01:05:23.641 --> 01:05:33.794
♪ She's a fire,
she'll burn you to your soul ♪
01:05:39.229 --> 01:05:46.598
♪ She's a fire,
raging out of control ♪
01:05:46.999 --> 01:05:57.140
♪ She's a fire,
she'll burn you to your soul ♪
01:06:00.532 --> 01:06:03.159
♪ She's a fire ♪
01:06:03.754 --> 01:06:05.638
[door slams on the music]
01:06:06.089 --> 01:06:08.752
PHIL: So far,
our plan was workin' like a charm.
01:06:09.457 --> 01:06:12.679
Our little stroll through Edge City
had stirred things up just right.
01:06:13.421 --> 01:06:18.783
With us as the bait,
every big fish in the post-nuke world
was followin' us into that warehouse.
01:06:19.768 --> 01:06:22.601
Now all we had to do
was to get 'em to kill each other off,
01:06:23.367 --> 01:06:24.814
without killin' us.
01:06:39.339 --> 01:06:48.350
[MILES' hard and measured footsteps echo]
01:07:32.444 --> 01:07:36.177
Drop the Roscoe,
or I'll peel your windpipe.
01:07:39.983 --> 01:07:41.478
[chuckling] Miles.
01:07:47.679 --> 01:07:50.877
Okay, your move.
01:08:00.775 --> 01:08:03.754
Back off. Just back off.
01:08:05.067 --> 01:08:07.652
Your breath smells like the runs, Miles.
01:08:07.694 --> 01:08:11.256
It's irritatin' my nose and wrinklin' my suit.
01:08:14.138 --> 01:08:19.111
Oh, Marlowe's one tough dick now.
01:08:20.473 --> 01:08:21.482
Yeah.
01:08:22.102 --> 01:08:25.020
Yeah! And you shouldn't've crossed the line!
01:08:40.280 --> 01:08:42.274
Give me the keys.
01:08:49.290 --> 01:08:51.552
[fizz BOOM]
01:09:28.271 --> 01:09:31.102
WARPED VOICE: You, my brothers, have done well.
01:09:31.707 --> 01:09:39.077
Against all sane odds,
you have turned away all
who would steal our rightful prize.
01:09:39.772 --> 01:09:42.851
You're both truly remarkable.
01:09:43.724 --> 01:09:49.741
Pray, first the keys, brother.
01:09:50.791 --> 01:09:52.500
Drop the rods, pugface.
01:09:52.856 --> 01:09:54.647
Drop 'em,
or the keys disappear forever.
01:09:54.689 --> 01:09:57.093
– We could pray drop you, brother.
– Think so?
01:09:57.797 --> 01:10:00.097
Then try it, swift.
Go ahead, try it.
01:10:00.692 --> 01:10:04.747
Hey, you better watch it, chiro.
It's Phillip and Marlowe you're dealing with here.
01:10:05.627 --> 01:10:06.619
WARPED VOICE: It can't be.
01:10:10.764 --> 01:10:11.572
Phillip.
01:10:13.317 --> 01:10:14.134
Marlowe.
01:10:14.896 --> 01:10:18.062
You mean… you actually know these guys?
01:10:20.372 --> 01:10:21.220
WARPED VOICE: Yeah…
01:10:24.918 --> 01:10:27.859
from a very long time ago.
01:10:38.173 --> 01:10:42.717
[squeal of protesting rubber]
01:10:42.759 --> 01:10:46.615
[voice suddenly clear]
Hiya, squirt! Remember me?
01:10:51.217 --> 01:10:52.207
[whispering] Pop.
01:10:55.636 --> 01:10:58.652
– Pop!
– Jesus Christ.
01:11:00.520 --> 01:11:05.279
CHANDLER: “His face twisted grotesquely,
turning a pukish shade of—”
01:11:05.321 --> 01:11:07.213
come on kid, you hafta—
[child MARLOWE babbles]
01:11:07.502 --> 01:11:10.229
“Bugsy gurgled as I crushed his—”
01:11:10.271 --> 01:11:12.854
– come on, you wanna learn how to read,
don't you?
– I'm trying.
01:11:12.896 --> 01:11:15.476
– Hey, look, squirt—
– Knock it off, Spade.
01:11:16.090 --> 01:11:20.122
– Beatin' a dead horse,
the kid's got brain damage.
– That ain't my fault.
01:11:22.675 --> 01:11:25.363
– Don't take any wooden nickels.
– Swell.
01:11:25.742 --> 01:11:27.844
– Chin up.
– Chin up.
01:11:32.607 --> 01:11:36.440
WARPED VOICE: Yeah, we're your…
01:11:36.482 --> 01:11:38.263
[voice suddenly clear] …“pops”, alright.
01:11:39.806 --> 01:11:42.215
He's not, Marlowe. No he's not.
01:11:43.441 --> 01:11:46.608
These are the creeps that locked us
in that bomb shelter 15 years ago.
01:11:47.708 --> 01:11:48.656
Aren'tcha.
01:11:50.081 --> 01:11:52.444
Now they've come back to get these keys
and they're gonna kill us for 'em.
01:11:53.581 --> 01:11:54.808
They're gonna kill you.
01:11:56.504 --> 01:11:57.388
Aren'tcha.
01:11:57.866 --> 01:11:59.697
They don't care about them stupid keys.
01:12:01.366 --> 01:12:02.449
Do ya?
01:12:03.261 --> 01:12:05.732
The keys,
or I blow the shit out of his head.
01:12:09.629 --> 01:12:11.064
Throw us the keys, Phil.
01:12:11.497 --> 01:12:14.844
She won't shoot Marlowe,
she knows we'll blow her away.
01:12:18.416 --> 01:12:20.229
The keys, before it's too late.
01:12:21.014 --> 01:12:22.746
There you go.
[keys clatter on concrete]
01:12:22.989 --> 01:12:26.676
[awful silence falls]
01:12:37.874 --> 01:12:41.846
[the beat comes back in full force]
01:12:41.888 --> 01:12:44.291
[radioactive rat's roaring rampage]
01:12:44.333 --> 01:12:45.497
Fuckin' rat!
01:12:46.282 --> 01:12:48.284
You fuckin' piece of shit rat!
01:12:48.356 --> 01:12:52.147
Agh, lemme go! Lemme go, please!
01:12:56.908 --> 01:12:59.254
♪ There's a storm out in the distance ♪
01:13:00.481 --> 01:13:04.657
♪ Rising fast and getting close to you ♪
01:13:05.424 --> 01:13:10.530
♪ You'll feel its breath upon your back
before you're through ♪
01:13:11.667 --> 01:13:17.016
♪ It's after you, comin' after you ♪
01:13:18.261 --> 01:13:20.980
♪ So you run into the shadows ♪
01:13:21.720 --> 01:13:25.739
♪ Livin' in a world that's grown so cold ♪
01:13:26.669 --> 01:13:31.838
♪ And now you're holding on
to dreams of long ago ♪
01:13:32.388 --> 01:13:38.612
♪ Don't turn away (×2) ♪
01:13:38.864 --> 01:13:41.134
♪ When lightning strikes ♪
01:13:42.269 --> 01:13:46.017
♪ We will stand or we will fall ♪
01:13:47.049 --> 01:13:50.808
♪ Hold on, answer to the call ♪
01:13:51.154 --> 01:13:53.429
♪ When lightning strikes ♪
01:13:54.409 --> 01:14:00.689
♪ We will pay the price and rise above it all ♪
01:14:03.061 --> 01:14:05.536
♪ When lightning strikes ♪
01:14:16.043 --> 01:14:18.555
♪ You can break out of the darkness ♪
01:14:19.619 --> 01:14:23.486
♪ Fighting for our dream,
you'll find the way ♪
01:14:24.373 --> 01:14:29.846
♪ But when you're caught
between the bounds of love and hate ♪
01:14:26.648 --> 01:14:33.451
Squirts! Run, get outta here! [echoing]
01:14:30.434 --> 01:14:35.935
♪ It's up to you (×2) ♪
01:14:37.308 --> 01:14:39.582
♪ There's no one to rely on ♪
01:14:40.889 --> 01:14:44.648
♪ Fire and destruction's all you know ♪
01:14:45.638 --> 01:14:51.601
♪ And though the world beneath your feet
begins to roll ♪
01:14:51.643 --> 01:14:57.611
♪ Don't lose control (×2) ♪
01:14:57.779 --> 01:15:00.183
♪ When lightning strikes ♪
01:15:01.335 --> 01:15:05.049
♪ We will stand or we will fall ♪
01:15:06.064 --> 01:15:09.957
♪ Hold on, answer to the call ♪
01:15:10.088 --> 01:15:12.357
♪ When lightning strikes ♪
01:15:13.475 --> 01:15:20.594
♪ We will pay the price and rise above it all ♪
01:15:22.033 --> 01:15:31.493
♪ When lightning strikes (×2) ♪
01:15:26.628 --> 01:15:29.541
NO! No! Stop! Pops!
01:15:37.508 --> 01:15:38.712
POPS!
01:15:42.037 --> 01:15:45.007
Pops! No! No!
01:15:45.623 --> 01:15:46.623
Marlowe!
01:15:47.949 --> 01:15:48.976
POPS!
01:15:50.343 --> 01:15:52.406
– No!
– NO!
01:15:52.544 --> 01:15:56.550
♪ Hold on, I know we'll find a way ♪
01:15:53.180 --> 01:15:57.685
– Marlowe!
– NO! POPS!
01:15:56.755 --> 01:15:59.010
♪ When lighting strikes ♪
01:15:56.984 --> 01:16:04.690
[PHIL and MARLOWE screaming]
01:16:00.144 --> 01:16:08.439
♪ We will pay the price and rise above it all ♪
01:16:08.710 --> 01:16:22.961
♪ When lightning strikes (×5) ♪
01:16:22.501 --> 01:16:27.466
[crumbling wall falls on the music
like a metric ton of silence]
01:16:34.442 --> 01:16:39.662
[crunch and groan]
01:17:27.962 --> 01:17:29.936
You haven't got the guts.
01:18:39.167 --> 01:18:40.565
Thanks.
[keys jangle]
01:18:58.733 --> 01:19:00.101
Jesus Christ.
01:19:13.807 --> 01:19:14.853
Don't worry, pop.
01:19:23.591 --> 01:19:26.546
We got the keys back and nobody else
is ever gonna get 'em, either.
01:19:33.882 --> 01:19:40.035
[bittersweetly triumphal
synths and guitars]
01:19:47.495 --> 01:19:49.818
[HAMMER groans]
01:20:02.500 --> 01:20:04.190
Who are we, anyway?
01:20:05.903 --> 01:20:07.685
What happened all those years ago?
01:20:09.513 --> 01:20:11.158
Straight scoop, alright.
01:20:14.320 --> 01:20:15.918
What's the difference?
01:20:16.918 --> 01:20:18.804
The past is past.
01:20:21.805 --> 01:20:23.840
Get on with your life, kid.
01:20:34.912 --> 01:20:35.889
Thanks, pop.
01:20:51.549 --> 01:20:52.757
So long, pop.
01:20:54.596 --> 01:20:55.585
So long.
01:21:13.096 --> 01:21:14.223
It's okay.
01:21:19.914 --> 01:21:25.617
[brighter melody struggles through]
01:21:26.123 --> 01:21:28.162
PHIL: When I saw all those
knuckleheads staring at us,
01:21:28.204 --> 01:21:30.588
I thought for a minute
we had another fight on our hands.
01:21:30.630 --> 01:21:33.206
I started to wonder
if saving this world had been worth it.
01:21:33.976 --> 01:21:35.092
Then I realised,
01:21:35.528 --> 01:21:37.441
they was probably
just like me and Marlowe,
01:21:37.483 --> 01:21:41.028
lookin' for a few high times,
and after what we'd been through,
01:21:41.070 --> 01:21:45.302
I figured Marlowe's silver lining
look on life was the only hope we had.
01:21:49.671 --> 01:21:50.912
Hey, partner.
01:21:52.729 --> 01:21:53.580
What.
01:21:57.317 --> 01:22:01.571
How about teachin' me them steps, huh.
Huh?
01:22:05.814 --> 01:22:06.952
What steps?
01:22:08.435 --> 01:22:13.897
You know, the Post-Nuke Shuffle?
Huh?
01:22:16.380 --> 01:22:18.231
– Really?
– Yeah, really.
01:22:20.059 --> 01:22:23.244
I figure it's time to lighten up
and enjoy the hand we was dealt.
01:22:25.509 --> 01:22:29.143
Good or bad, it's the only life we got.
01:22:37.685 --> 01:22:43.147
Ditto… ditto.
01:22:44.757 --> 01:22:49.218
So follow me out, partner,
'cause we are gonna do some dancin'.
01:23:07.132 --> 01:23:14.190
[peppiest music you ever heard
this side of the apocalypse]
01:23:14.294 --> 01:23:17.207
♪ It's a new beginning,
the fighting's over ♪
01:23:17.249 --> 01:23:21.009
♪ We made it, we're standing,
somehow we survived ♪
01:23:21.228 --> 01:23:24.405
♪ Gotta happy ending,
so let's celebrate ♪
01:23:24.447 --> 01:23:27.854
♪ By shakin' up, and makin' up
for lost time ♪
01:23:27.896 --> 01:23:31.338
♪ Some dickin' and dancin'
and nukin' the blues ♪
01:23:31.380 --> 01:23:34.776
♪ We're mondo bizarro,
we're happenin' dudes ♪
01:23:34.818 --> 01:23:37.558
♪ Come on,
just turn it loose, oh ♪
01:23:37.600 --> 01:23:41.054
♪ Zim bim zowie,
we're ready for action ♪
01:23:41.096 --> 01:23:44.503
♪ Zim bim zowie,
whoa-oh-oh-oh ♪
01:23:44.545 --> 01:23:47.964
♪ Zim bim zowie,
we're radioactive ♪
01:23:48.006 --> 01:23:51.455
♪ Zim bim zowie,
whoa-oh-oh-oh ♪
01:23:52.893 --> 01:23:56.587
♪ It's an open invitation
to everybody ♪
01:23:56.629 --> 01:24:00.071
♪ Now we're really rockin'
with one steady roll ♪
01:24:00.113 --> 01:24:03.532
♪ Bring your own mutations,
no-one gets turned away ♪
01:24:03.574 --> 01:24:06.763
♪ This is one party
where anything goes ♪
01:24:06.805 --> 01:24:10.212
♪ Remember the old days,
the 4th of July ♪
01:24:10.254 --> 01:24:13.673
♪ Ain't seen nothin' like it
since '85 ♪
01:24:13.715 --> 01:24:17.352
♪ We're mondo bizarro,
we're happenin' dudes ♪
01:24:17.394 --> 01:24:20.560
♪ Dickin' and dancin'
and nukin' the blues ♪
01:24:20.602 --> 01:24:23.377
♪ Come on,
we can't lose, oh ♪
01:24:23.419 --> 01:24:26.903
♪ Zim bim zowie [fading] ♪
01:24:27.075 --> 01:24:30.019
PHIL: So that was our first
day out in the post-nuke world.
01:24:30.881 --> 01:24:34.124
Me and Marlowe agreed to go into business
after takin' a little time off.
01:24:34.779 --> 01:24:37.125
He went off lookin' for
a prettier dancin' partner, and…
01:24:37.561 --> 01:24:39.217
…and I went off
lookin' for Rusty.
01:24:39.907 --> 01:24:43.069
I figured, maybe
there was a chance for us.
01:24:43.506 --> 01:24:46.150
Oh, and about those keys.
01:24:46.507 --> 01:24:50.218
Well, don't worry, I stashed 'em in a safe place
that only me and Marlowe knew about.
01:24:51.060 --> 01:24:52.773
Yeah, we coulda destroyed 'em, but,
01:24:53.336 --> 01:24:54.843
we figured, you never know:
01:24:55.705 --> 01:24:58.768
In a tight jam, a nuclear missile
just might come in handy.
01:25:10.399 --> 01:25:15.688
♪ We run against a sky of black and red ♪
01:25:17.206 --> 01:25:23.300
♪ Premonitions of tomorrow
Is there a future there for me ♪
01:25:24.748 --> 01:25:27.542
♪ It's been a long, lonely wait ♪
01:25:29.313 --> 01:25:38.745
♪ Now I can see your face
in everything I say and do today,
in my life (radioactive) ♪
01:25:38.787 --> 01:25:45.195
♪ I need a place
to lie my head (radioactive) ♪
01:25:45.237 --> 01:25:51.630
♪ I close my eyes,
but there's no rest (radioactive dreams) ♪
01:25:52.044 --> 01:26:00.702
♪ Get me out of this wasteland
of radioactive dreams ♪
01:26:05.657 --> 01:26:09.992
♪ I, I see the colours changing shape ♪
01:26:11.510 --> 01:26:17.960
♪ Sometimes I feel the darkness
But I know in time, there will be light ♪
01:26:18.535 --> 01:26:23.031
♪ Break down the walls that hold us in ♪
01:26:23.606 --> 01:26:30.577
♪ Well, my head is pounding stronger
Does anyone hear me when I call? ♪
01:26:30.619 --> 01:26:39.602
♪ I'm calling (radioactive)
I need a place to lie my head (radioactive) ♪
01:26:39.679 --> 01:26:46.049
♪ I close my eyes,
but there's no rest (radioactive dreams) ♪
01:26:46.509 --> 01:26:55.581
♪ Get me out of this wasteland
of radioactive dreams ♪
01:26:59.732 --> 01:27:07.930
[beat shifts menacingly]
01:27:17.358 --> 01:27:22.888
♪ We had warnings of
dark clouds forming ♪
01:27:23.647 --> 01:27:29.499
♪ Fear has brought me
to my knees ♪
01:27:31.270 --> 01:27:36.938
♪ Memories haunt me,
darkness wants me ♪
01:27:37.364 --> 01:27:41.319
♪ Someone wake me please ♪
01:27:41.664 --> 01:27:43.393
♪ It's a dream ♪
01:27:43.435 --> 01:27:46.555
♪ Nightmare
Like a child screaming ♪
01:27:46.597 --> 01:27:49.862
♪ Nightmare
They say he's only dreaming ♪
01:27:51.046 --> 01:27:54.208
♪ Is under the bed?
It is all in his head? ♪
01:27:56.105 --> 01:27:58.899
♪ Nightmare ♪
01:28:19.190 --> 01:29:20.754
[beat wanders mysteriously]
01:29:20.796 --> 01:29:41.176
[final sinister synths]
01:29:42.000 --> 01:29:45.000
captions by bogbody
notes at cdvr.org